Sabtu, 01 Desember 2012

Sundance 2013 Lineup: Rooney Mara, Daniel Radcliffe, Shailene Woodley and More

Sundance has announced the star-studded lineup for their 2013 film festival in the U.S., World Cinema and NEXT categories.

Once again, the festival will be showcasing the latest work from some A-list talent, with new films featuring Daniel Radcliffe, Rooney Mara, Casey Affleck, Shailene Woodley, Jessica Biel and 2012 Sundance darling Mary Elizabeth Winstead.

We’re especially excited about “Ain’t Them Bodies Saints,” the “Badlands”-style Texas drama starring Rooney Mara and Casey Affleck about an ex-con who busts out of prison and looks to reunite with his wife (and meet his daughter for the first time). We’re also stoked for “The Spectacular Now,” a high school romance that marks the first post-”Descendants” gig for the future Mary Jane Watson, Shailene Woodley.

However, the one that’s got us the most stoked is “Kill Your Darlings,” a beatnik drama featuring Daniel Radcliffe as poet Allen Ginsburg. Ben Foster and Jack Huston co-star in the story of the murder that brought together Ginsberg, Jack Kerouac and William Burroughs and made way for the Beat Revolution.

Sundance historians will be excited to know that Shane Carruth, absent from the festival (and the film scene in general) since his spectacular sci-fi thriller “Primer” premiered in 2004, is back with his sophomore effort, “Upstream Color.” And it sounds just as original and mind-bending as his debut film.

Below is the complete list of the official selections announced so far, and stay tuned for news on the films screenings in other categories such as Park City at Midnight, New Frontier and the Shorts Program.

U.S. DRAMATIC COMPETITION

The world premieres of 16 American narrative feature films.

“Afternoon Delight” / U.S.A. (Director and screenwriter: Jill Soloway) — In this sexy, dark comedy, a lost L.A. housewife puts her idyllic hipster life in jeopardy when she tries to rescue a stripper by taking her in as a live-in nanny. Cast: Kathryn Hahn, Juno Temple, Josh Radnor, Jane Lynch.

“Ain’t Them Bodies Saints” / U.S.A. (Director and screenwriter: David Lowery) — The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met. Cast: Rooney Mara, Casey Affleck, Ben Foster, Nate Parker, Keith Carradine.

“Austenland” / U.S.A., United Kingdom (Director: Jerusha Hess, Screenwriters: Jerusha Hess, Shannon Hale) — Thirtysomething, single Jane is obsessed with Mr. Darcy, as played by Colin Firth in Pride and Prejudice. On a trip to an English resort, her fantasies of meeting the perfect Regency-era gentleman become more real than she ever imagined. Cast: Keri Russell, JJ Feild, Bret McKenzie, Jennifer Coolidge, Georgia King, James Callis.

“C.O.G.” / U.S.A. (Director and screenwriter: Kyle Patrick Alvarez) — In the first ever film adaptation of David Sedaris’ work, a cocky young man travels to Oregon to work on an apple farm. Out of his element, he finds his lifestyle and notions being picked apart by everyone who crosses his path. Cast: Jonathan Groff, Denis O’Hare, Corey Stoll, Dean Stockwell, Casey Wilson, Troian Bellisario.

“Concussion” / U.S.A. (Director and screenwriter: Stacie Passon) — After a blow to the head, Abby decides she can’t do it anymore. Her life just can’t be only about the house, the kids and the wife. She needs more: she needs to be Eleanor. Cast: Robin Weigert, Maggie Siff, Johnathan Tchaikovsky, Julie Fain Lawrence, Emily Kinney, Laila Robins.

“Emanuel and the Truth About Fishes” / U.S.A. (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O’Connor, Jimmi Simpson, Aneurin Barnard.

“Fruitvale” / U.S.A. (Director and screenwriter: Ryan Coogler) — The true story of Oscar, a 22-year-old Bay Area resident who crosses paths with friends, enemies, family and strangers on the last day of 2008. Cast: Michael B. Jordan, Octavia Spencer, Melonie Diaz, Ahna O’Reilly, Kevin Durand, Chad Michael Murray.

“In a World…” / U.S.A. (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed.

“Kill Your Darlings” / U.S.A. (Director: John Krokidas, Screenwriters: Austin Bunn, John Krokidas) — An untold story of murder that brought together a young Allen Ginsberg, Jack Kerouac and William Burroughs at Columbia University in 1944, providing the spark that led to the birth of an entire generation – their Beat revolution. Cast: Daniel Radcliffe, Dane DeHann, Ben Foster, Michael C. Hall, Jack Huston, Elizabeth Olsen.

“The Lifeguard” / U.S.A. (Director and screenwriter: Liz W. Garcia) — A former valedictorian quits her reporter job in New York and returns to the place she last felt happy: her childhood home in Connecticut. She gets work as a lifeguard and starts a dangerous relationship with a troubled teenager. Cast: Kristen Bell, Mamie Gummer, Martin Starr, Alex Shaffer, Amy Madigan, David Lambert.

“May in the Summer” / U.S.A., Qatar, Jordan (Director and screenwriter: Cherien Dabis) — A bride-to-be is forced to reevaluate her life when she reunites with her family in Jordan and finds herself confronted with the aftermath of her parents’ divorce. Cast: Cherien Dabis, Hiam Abbass, Bill Pullman, Alia Shawkat, Nadine Malouf, Alexander Siddig. DAY ONE FILM

“Mother of George” / U.S.A. (Director: Andrew Dosunmu, Screenwriter: Darci Picoult) — A story about a woman willing to do anything and risk everything for her marriage. Cast: Isaach De Bankolé, Danai Gurira, Anthony Okungbowa, Yaya Alafia, Bukky Ajayi.

“The Spectacular Now” / U.S.A. (Director: James Ponsoldt, Screenwriters: Scott Neustadter, Michael H. Weber) — Sutter is a high school senior who lives for the moment; Aimee is the introvert he attempts to “save.” As their relationship deepens, the lines between right and wrong, friendship and love, and “saving” and corrupting become inextricably blurred. Cast: Miles Teller, Shailene Woodley, Brie Larson, Jennifer Jason Leigh, Mary Elizabeth Winstead, Kyle Chandler.

“Touchy Feely” / U.S.A. (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother’s foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais.

“Toy’s House” / U.S.A. (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — Three unhappy teenage boys flee to the wilderness where they build a makeshift house and live off the land as masters of their own destiny. Or at least that’s the plan. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie.

“Upstream Color” / U.S.A. (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins.

U.S. DOCUMENTARY COMPETITION

The world premieres of 16 American documentary films.

“99% – The Occupy Wall Street Collaborative Film” / U.S.A. (Directors: Audrey Ewell, Aaron Aites, Lucian Read, Nina Kristic) — The Occupy movement erupted in September 2011, propelling economic inequality into the spotlight. In an unprecedented collaboration, filmmakers across America tell its story, digging into big picture issues as organizers, analysts, participants and critics reveal how it happened and why.

“After Tiller” / U.S.A. (Directors: Martha Shane, Lana Wilson) — Since the assassination of Dr. George Tiller in 2009, only four doctors in the country provide late-term abortions. With unprecedented access, After Tiller goes inside the lives of these physicians working at the center of the storm.

“American Promise” / U.S.A. (Directors: Joe Brewster, Michèle Stephenson) — This intimate documentary follows the 12-year journey of two African-American families pursuing the promise of opportunity through the education of their sons.

“Blackfish” / U.S.A. (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity.

“Blood Brother” / U.S.A. (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find.

“Citizen Koch” / U.S.A. (Directors: Carl Deal, Tia Lessin) — Wisconsin – birthplace of the Republican Party, government unions, “cheeseheads” and Paul Ryan – becomes a test market in the campaign to buy Democracy, and ground zero in the battle for the future of the GOP.

“Cutie and the Boxer” / U.S.A. (Director: Zachary Heinzerling) — This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband’s assistant, Noriko finds an identity of her own.

“Dirty Wars” / U.S.A. (Director: Richard Rowley) — Investigative journalist Jeremy Scahill chases down the truth behind America’s covert wars.

“Gideon’s Army” / U.S.A. (Director: Dawn Porter) — Gideon’s Army follows three young, committed Public Defenders who are dedicated to working for the people society would rather forget. Long hours, low pay and staggering caseloads are so common that even the most committed often give up.

“God Loves Uganda” / U.S.A. (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law.

“The Good Life” / U.S.A. (Directors: Sean Fine, Andrea Nix Fine) — Dr. Leslie Gordon and Dr. Scott Berns fight to save their only son from Progeria, a rare and fatal disease for which there is no treatment or cure. In less than a decade, their work has led to significant advances.

“Inequality For All” / U.S.A. (Director: Jacob Kornbluth) — In this timely and entertaining documentary, noted economic-policy expert Robert Reich distills the topic of widening income inequality, and addresses the question of what effects this increasing gap has on our economy and our democracy.

“Manhunt” / U.S.A., United Kingdom (Director: Greg Barker) — This espionage tale goes inside the CIA’s long conflict against Al Qaeda, as revealed by the remarkable women and men whose secret war against Osama bin Laden started nearly a decade before most of us even knew his name.

“Narco Cultura” / U.S.A. (Director: Shaul Schwarz) — An examination of Mexican drug cartels’ influence in pop culture on both sides of the border as experienced by an LA narcocorrido singer dreaming of stardom and a Juarez crime scene investigator on the front line of Mexico’s Drug War.

“Twenty Feet From Stardom” / U.S.A. (Director: Morgan Neville) — Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we’ve had no idea who these singers are or what lives they lead – until now. DAY ONE FILM

“Valentine Road” / U.S.A. (Director: Marta Cunningham) — In 2008, eighth-grader Brandon McInerney shot classmate Larry King at point blank range. Unraveling this tragedy from point of impact, the film reveals the heartbreaking circumstances that led to the shocking crime as well as its startling aftermath.

WORLD CINEMA DRAMATIC COMPETITION

Twelve films from emerging filmmaking talents offer fresh perspectives and inventive styles.

“Circles” / Serbia, Germany, France, Croatia, Slovenia (Director: Srdan Golubovic, Screenwriters: Srdjan Koljevic, Melina Pota Koljevic) — Five people are affected by a tragic heroic act. Twenty years later, all of them will confront the past through their own crises. Will they overcome guilt, frustration and their urge for revenge? Will they do the right thing, at all costs? Cast: Aleksandar Bercek, Leon Lucev, Nebojsa Glogovac, Hristina Popovic, Nikola Rakocevic, Vuk Kostic. World Premiere

“Crystal Fairy” / Chile (Director and screenwriter: Sebastián Silva) — Jamie invites a stranger to join a road trip to Chile. The woman’s free and esoteric nature clashes with Jamie’s acidic, self-absorbed personality as they head into the desert for a Mescaline-fueled psychedelic trip. Cast: Michael Cera, Gabby Hoffmann, Juan Andrés Silva, José Miguel Silva, Agustín Silva. World Premiere. DAY ONE FILM

“The Future” / Chile, Germany, Italy, Spain (Director and screenwriter: Alicia Scherson) — When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future. Cast: Manuela Martelli, Rutger Hauer, Luigi Ciardo, Nicolas Vaporidis, Alessandro Giallocosta. World Premiere

“Houston” / Germany (Director and screenwriter: Bastian Günther) — Clemens Trunschka is a corporate headhunter and an alcoholic. Drinking increasingly isolates him from his life and leads him away from reality. While searching for a CEO candidate in Houston, his addiction submerges him into his own darkness. Cast: Ulrich Tukur, Garret Dillahunt, Wolfram Koch, Jenny Schily, Jason Douglas, Jens Münchow. World Premiere

“Jiseul” / South Korea (Director and screenwriter: Muel O) — In 1948, as the Korean government ordered the Communists’ eviction to Jeju Island, the military invaded a calm and peaceful village. Townsfolk took sanctuary in a cave and debated moving to a higher mountain. Cast: Min-chul SUNG, Jung-won YANG, Young-soon OH, Soon-dong PARK, Suk-bum MOON, Kyung-sub JANG. International Premiere

“Lasting” / Poland, Spain (Director and screenwriter: Jacek Borcuch) — An emotional love story about two Polish students who fall in love with each other while working summer jobs in Spain. An unexpected nightmare interrupts their carefree time in the heavenly landscape and throws their lives into chaos. Cast: Jakub Gierszal, Magdalena Berus, Angela Molina. World Premiere

“Metro Manila” / United Kingdom, Philippines (Director: Sean Ellis, Screenwriters: Sean Ellis, Frank E. Flowers) — Seeking a better life, Oscar and his family move from the poverty-stricken rice fields to the big city of Manila, where they fall victim to various inhabitants whose manipulative ways are a daily part of city survival. Cast: Jake Macapagal, John Arcilla, Althea Vega. World Premiere

“Shopping” / New Zealand (Directors: Mark Albiston, Louis Sutherland, Screenwriters: Louis Sutherland, Mark Albiston) — New Zealand, 1981: Seduced by a charismatic career criminal, teenager Willie must choose where his loyalty lies – with a family of shoplifters or his own blood. Cast: Kevin Paulo, Julian Dennison, Jacek Koman, Alistair Browning. World Premiere

“Soldate Jeannette” / Austria (Director: Daniel Hoesl) — Fanni has had enough of money and leaves to buy a tent. Anna has had enough of pigs and leaves a needle in the hay. Cars crash and money burns to shape their mutual journey toward a rising liberty. Cast: Johanna Orsini-Rosenberg, Christina Reichsthaler, Josef Kleindienst, Aurelia Burckhardt, Julia Schranz, Ines Rössl. World Premiere

“There Will Come a Day” / Italy, France (Director: Giorgio Diritti, Screenwriters: Giorgio Diritti, Fredo Valla, Tania Pedroni) — Painful issues push Augusta, a young Italian woman, to doubt the certainties on which she has built her existence. On a small boat in the immensity of the Amazon rain forest, she faces the adventure of searching for herself. Cast: Jasmine Trinca, Anne Alvaro, Pia Engleberth. World Premiere

“Wajma (An Afghan Love Story)” / Afghanistan (Director and screenwriter: Barmak Akram) — A young man in Kabul seduces a girl. When she tells him she’s pregnant, he questions having taken her virginity. Then her father arrives, and a timeless, archaic violence erupts – possibly leading to a crime, and even a sacrifice. Cast: Wajma Bahar, Mustafa Abdulsatar, Haji Gul, Breshna Bahar. World Premiere

“What They Don’t Talk About When They Talk About Love” / Indonesia (Director and screenwriter: Mouly Surya) — Mouly Surya’s film explores the odds of love and deception among the blind, the deaf and the unlucky sighted people at a high school for the visually impaired. Cast: Nicholas Saputra, Ayushita Nugraha, Karina Salim, Anggun Priambodo, Lupita Jennifer. World Premiere

WORLD CINEMA DOCUMENTARY COMPETITION

Twelve documentaries by some of the most courageous and extraordinary filmmakers working today.

“Fallen City” / China (Director: Qi Zhao) — Fallen City spans four years to reveal how three families who survived the 2008 Sichuan earthquake to embark on a journey searching for hope, purpose, identity, and to rebuild their lives in a new China torn between tradition and modernity. North American Premiere

“Fire in the Blood” / India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere

“Google and the World Brain” / Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious project ever conceived on the Internet, Google has been scanning the world’s books for 10 years. They said the intention was to build a giant digital library, but that involved scanning millions of copyrighted works. World Premiere

“The Machine Which Makes Everything Disappear” / Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations. North American Premiere

“The Moo Man” / United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere

“Pussy Riot – A Punk Prayer” / Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere

“A River Changes Course” / Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World Premiere

“Salma” / United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world. World Premiere

“The Square (El Midan)” / Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere

“The Stuart Hall Project” / United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere

“The Summit” / Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers’ code, he might still be alive. International Premiere

“Who is Dayani Cristal?” / United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. DAY ONE FILM

NEXT

Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling. Digital technology paired with unfettered creativity proves the films selected in this section will inform a “greater” next wave in American cinema.

“Blue Caprice” / U.S.A. (Director: Alexandre Moors, Screenwriters: R.F.I Porto, Alexandre Moors) — An abandoned boy is lured to America and drawn into the shadow of a dangerous father figure in this film inspired by the real life events that led to the 2002 Beltway sniper attacks. Cast: Isaiah Washington, Tequan Richmond, Joey Lauren Adams, Tim Blake Nelson, Cassandra Freeman, Leo Fitzpatrick.

“Computer Chess” / U.S.A. (Director and screenwriter: Andrew Bujalski) — An existential comedy about the brilliant men who taught machines to play chess – back when the machines seemed clumsy and we seemed smart. Cast: Patrick Riester, Myles Paige, James Curry, Robin Schwartz, Gerald Peary, Wiley Wiggins.

“Escape from Tomorrow” / U.S.A. (Director and screenwriter: Randy Moore) — A postmodern, surreal voyage into the bowels of “family” entertainment; an epic battle begins when an unemployed, middle-aged father loses his sanity during a close encounter with two teenage girls on holiday. Cast: Roy Abramsohn, Elena Schuber, Katelynn Rodriguez, Annet Mahendru, Danielle Safady, Alison Lees-Taylor.

“I Used to Be Darker” / U.S.A. (Director: Matthew Porterfield, Screenwriters: Amy Belk, Matthew Porterfield) — A runaway seeks refuge with her aunt and uncle in Baltimore, only to find their marriage ending and her cousin in crisis. In the days that follow, the family struggles to let go while searching for things to sustain them. Cast: Deragh Campbell, Hannah Gross, Kim Taylor, Ned Oldham, Geoff Grace, Nick Petr.

“It Felt Like Love” / U.S.A. (Director and screenwriter: Eliza Hittman) — On the outskirts of Brooklyn, a 14-year-old girl’s sexual quest takes a dangerous turn when she pursues an older guy and tests the boundaries between obsession and love. Cast: Gina Piersanti, Giovanna Salimeni, Ronen Rubinstein, Jesse Cordasco, Nick Rosen, Case Prime.

“Milkshake” / U.S.A. (Director: David Andalman, Screenwriters: David Andalman, Mariko Munro) — In mid-1990's America, we follow the tragic sex life of Jolie Jolson, a wannabe thug (and great-great-grandson of legendary vaudevillian Al Jolson) in suburban DC as he strives to become something he can never be – black. Cast: Tyler Ross, Shareeka Epps, Georgia Ford, Eshan Bay, Leo Fitzpatrick, Danny Burstein.

“Newlyweeds” / U.S.A. (Director and screenwriter: Shaka King) — A Brooklyn repo man and his globetrotting girlfriend forge an unlikely romance. But what should be a match made in stoner heaven turns into a love triangle gone awry in this dark coming-of-age comedy about dependency. Cast: Amari Cheatom, Trae Harris, Tone Tank, Colman Domingo, Isiah Whitlock Jr., Adrian Martinez.

“Pit Stop” / U.S.A. (Director: Yen Tan, Screenwriters: Yen Tan, David Lowery) — Two working-class gay men in a small Texas town and a love that isn’t quite out of reach. Cast: Bill Heck, Marcus DeAnda, Amy Seimetz, John Merriman, Alfredo Maduro, Corby Sullivan.

“A Teacher” / U.S.A. (Director and screenwriter: Hannah Fidell) — A popular young teacher in a wealthy suburban Texas high school has an affair with one of her students. Her life begins to unravel as the relationship comes to an end. Cast: Lindsay Burdge, Will Brittain, Jennifer Prediger, Jonny Mars, Julie Phillips, Chris Dubeck.

“This is Martin Bonner” / U.S.A.(Director and screenwriter: Chad Hartigan) — Martin Bonner has just moved to Reno for a new job in prison rehabilitation. Starting over at age 58, he struggles to adapt until an unlikely friendship with an ex-con blossoms, helping him confront the problems he left behind. Cast: Paul Eenhoorn, Richmond Arquette, Sam Buchanan, Robert Longstreet, Demetrius Grosse.

Categories: News

Tags: 2013 Sundance Film Festival, sundance film festival

King of Devil’s Island (2011)

 

Tanggal Rilis :17 December 2010 (Norway)
Jenis Film :Drama | Action
Diperankan Oleh :Stellan Skarsgård, Benjamin Helstad and Kristoffer Joner


Ringkasan Cerita King of Devil’s Island (2011) :

Begitu banyak kejadian dalam film, disutradarai oleh Marius Holst, yang akrab dari penjara dan boys’-sekolah melodrama Bahwa “King of Devil’s Island” Risiko tampak seperti pengulangan. Ada yang Upaya diprediksi gagal melarikan diri, bunuh diri salah satu anak laki-laki dan pelecehan seksual (tidak ditampilkan tetapi disinggung).Apa yang membuat film terpisah dari pendahulunya adalah suprastruktur metaforanya. Sekolah gubernur, saleh, Bestyreren (Stellan Skarsgård), Bastøy menyamakan ke kapal dan awaknya ke tahanan. Dua anak laki-laki berbagi cerita tiga kali Yang Diceritakan dalam film tentang di atas kapal laut mengejar ikan paus harpooned dan Berulang kali Itu serius terluka tapi itu terus ply air. Paus mungkin melambangkan perlawanan dari anak laki-laki atau ketahanan gubernur institusi aturan siapa itu seperti lalim jinak.


Tujuan diakuinya adalah untuk menyelamatkan remaja yang saya lihat sebagai sampah masyarakat dengan paksa mengubahnya menjadi “terhormat, mulia, berguna, anak laki-laki Kristen.” Mr Skarsgard Memberikan hanya sikap Bestyreren yg keras kepala, menyempit bermata kejujuran. “King of Devil’s Island” bukanlah uraian mengejutkan atau film horor, itu akan mengecewakan penonton mengantisipasi kerusuhan gembira tertekuk. Lebih dari segalanya, itu adalah pertanyaan moral ini menjadi hubungan yang personal dengan kelompok kelembagaan dalam keadaan menindas. Pribadi yang rumit pelanggaran aturan di Bastøy Biasanya hasil kelompok dalam hukuman, seperti pemotongan jatah.


Aturan-aturan ketat tidak termasuk berbicara saat makan dan tidak ada diskusi tentang kejahatan (beberapa dari kejahatan kecil, seperti mencuri dari piring koleksi gereja) Itu Dibawa Them Untuk Bastøy. Meskipun hukuman yang keras, Mereka Bisa digambarkan sebagai penyiksaan. Disiplin terburuk yg pernah dijatuhkan adalah 12 cambukan di bagian belakang. Penjahat film ini Bestyreren s penegak sadis, Bråthen (Kristoffer Joner), yang telah bekerja selama sembilan tahun di Bastøy dan relishes kekuasaannya.


Cerita dimulai sebagai dua bangsal baru, 17-tahun Erling (Benjamin Helstad) bermuka masam. Yang dikabarkan Untuk Memiliki Pembunuhan Committed, dan rapuh, Ivar ketakutan (Magnus Langlete), datang dari daratan dan ditelanjangi dan diarak di depan anak-anak lain sebelum Tampil ke perempat mereka. The Erling, gempal melotot Menjadi katalis untuk pemberontakan, sedangkan Ivar Menderita sebagai mangsa Bråthen itu.


Sebagai film terus, perspektif bergeser dari Erling ke Olav (Trond Nilssen), seorang pemimpin asrama YG taat, narapidana model dan enam tahun penduduk Bastøy yang akan dirilis untuk perilaku yang baik. Kemarahan Meledak ditekan Olav di lembaga itu akhirnya Mengingat saat kebebasannya. Untuk semua keseriusannya, adalah “King of Devil’s Island ” yang judulnya Mengacu pada Erling, secara dramatis menyebar. Penolakannya untuk mengadopsi satu titik pandang mungkin konseptual ambisius, tapi itu membuat drama unfocussed, dan sedikit kehilangan keseimbangan.

Is James Gunn a ‘Guardian’ of Sexism and Homophobia?

We were pretty excited when Marvel tapped “Slither” director James Gunn as their unconventional choice to helm 2014's comedic sci-fi comic adaptation “Guardians of the Galaxy,” as he had the perfect blend of genre love and satiric bent.


Unfortunately, that penchant for wild satire may be coming back to haunt him today, as geek girl site The Mary Sue unearthed a post from February, 2011 on James Gunn’s site titled “The 50 Superheroes You Most Want to Have Sex With,” which was voted on by fans and then given extensive commentary by Gunn himself. And therein lay the problem.


While it seems like a lot of the “jokes” reveal a bit of a sexist/homophobic streak, if not downright misogyny, an argument could be made that the whole idea of the list itself is meant to be absurd, especially when Gunn calls Gambit “the Galactus of C*ck!”


Here are three particularly unwholesome passages by Gunn; judge for yourself whether this is tongue-in-cheek or foot-in-mouth:


Sue Storm (Invisible Girl): “A+ choice, guys! Just once wouldn’t you want to look back and forth from a pretty blonde’s face, to your penis actually having an orgasm inside of her vagina?! I know I would.”


Jessica Drew (Spider-Woman): “The whole time I’m f**king her I can’t get her face out of my mind as the skrull leader who tried to conquer the world. I know it’s not her fault, but I just can’t help it. So I finish on her face to help block out the painful memories. There. That’s better.”


Wally West (The Flash): “Many of the people who voted for the Flash were gay men. I have no idea why this is. But I do know if I was going to get f**ked in the butt I too would want it to be by someone who would get it over with quick.”


Yeah, can’t exactly say any of those are knee-slappers, but in Gunn’s defense, it’s kind of his style to walk that edge. After all, this is the guy that made an episode of “PG-Porn” called “Nailing Your Wife” (around the time he divorced actress Jenna Fischer, mind you) featuring Nathan Fillion killing Aria Giovanni with a nail gun through the head.


Comics editor Rachel Edidin has come out saying that people close to Gunn insist this was most definitely written to parody lady-hatin’ nerds that exist by the thousands, but may have fallen wide of the mark.


“If Gunn’s list is satire, it’s bad satire,” says Edidin, “because it skews incredibly close to material that’s not only already out there, but that comes from official media and in some cases industry professionals. There’s a significant slice of the comics community that is that misogynist and homophobic, and says so loudly and frequently.”


While we’re willing to give Gunn the benefit of the doubt, it’s pretty inarguable that this was a failed attempt at un-PC humor, and was most likely taken seriously by a fanbase that prefers its superheroes in outfits that are less-than-2-degrees away from bondage gear. This is not unlike Zack Snyder’s extremely degrading female empowerment movie “Sucker Punch,” which the filmmakers and cast stressed was all about parodying female stereotypes in comics and video games, but really just enforced images of them as whores in skimpy outfits.


Gunn has already removed the offending items from his site, as well as “Nailing Your Wife,” oddly enough. But when you’re put at the helm of a high-profile $100-million+ Disney movie, this is the kind of scrutiny you can expect. Removing the piece is not enough, and he will definitely have to make a statement of some kind in the coming days and hopefully create an intelligent dialogue about these attitudes… or just be given the boot by Mickey Mouse.

Categories: Features

Tags: Guardians of the Galaxy, James Gunn

Review: ‘Universal Soldier: Day of Reckoning’ Keeps Fighting the Good Enough Fight

Of all the many movies that “Universal Soldier: Day of Reckoning” evoked, I found that 2009’s “Terminator: Salvation” was an oddly equivalent point of comparison. Like that film, this is the fourth* entry in its franchise — one led by a twenty-year-old knock-off of “The Terminator” and “Robocop” — and a chapter for which fans didn’t necessarily seem to be clamoring. (I’m still trying to wrap my head around the idea of “Universal Soldier” die-hards.)

There’s the limited involvement of the series’ original stars; technically, Ahnuld didn’t physically contribute to “T:S” for his likeness, so points to Jean-Claude Van Damme and Dolph Lundgren for at least showing up. There’s a shared dilemma between each film’s protagonist that I will refrain from spelling out. Lastly, there’s the matter of directorial intent. I maintain that, whatever “Salvation’s” problems were, McG’s approach was least among them. His efforts to replicate the long takes that defined the thrilling “Children of Men” suggested a clear-headed attempt to circumvent the franchise’s PG-13 rating and make a pre-ordained movie somewhat exciting.

“US: Day of Reckoning” may not be clear-headed for most of its running time as a proudly R-rated genre mash-up with an odd psychological bent, but its fights and chases do make it clear that this was not indifferently assembled for anyone that might make up its audience. Director John Hyams (who helmed 2009’s “US: Regeneration”) is the son of Peter (“Timecop,” “The Relic”), which shows in a B-movie that’s often bloody, sometimes bizarre, but rarely boring.

The film opens more like a home invasion thriller than anything — complete with a strangely showy point-of-view shot — as we witness the assault of mild-mannered John (Scott Adkins, looking like a buff Jim Caviezel) and brutal murder of his family. Nine months later, he awakes from a coma and sets out to find answers, haunted by the faces of his loved ones and of their killer, Luc Deveraux (Van Damme), and compelled to uncover an underground resistance of enhanced, brainwashed government assassins led by Andrew Scott (Lundgren).

The early going can be slow as Hyams makes a prolonged effort to reinforce John’s sense of loss, working in some garish dead-kid imagery, while other characters find themselves reprogrammed in some irritatingly strobe-heavy scenes (epileptic action fans, you’ve been warned). The plot feels like a post-“Bourne” retread, between our amnesiac-yet-skilled hero and trained killers hiding in plain sight to take him out, and the tone swerves brazenly between sci-fi, horror, action and noir.

However, Hyams doles out the chases and combat scenes at a steady clip, and shooting for 3-D (regardless of the film’s 2-D release) has lent his direction a certain degree of discipline, the action beats almost always as remarkable for their lucidity as the fights are for their choreography. Adkins’ physical capabilities are in turn served well, with a slyly assembled “continuous” shot practically standing alone as a testament to his chops as well as Hyams’ own. For all we know, work like this is what got him on board “The Expendables 2” to work with Van Damme and Lundgren once more.

As for the stuff in between, well, it’s often just strange enough to make the wheel-spinning bearable. (Don’t even ask me what’s going on with Deveraux’ baffling make-up in the big showdown.) One doesn’t exactly expect callbacks to “Blade Runner” and “Apocalypse Now” in their “Universal Soldier” sequel, but then again, when the characters refuse to die in a suitably stubborn franchise, the fact that any of this still packs a punch feels like something of a feat.

*This is technically the sixth film to boast a “Universal Soldier” title, but only the fourth one to fall under canon? Yes, apparently, there’s official canon for the “Universal Soldier” series.

“Universal Soldier: Day of Reckoning” is currently available On Demand and will open in select cities starting November 30th.

Grade: C

Categories: Reviews

Tags: Dolph Lundgren, jean-claude van damme, john hyams, movie review, scott adkins, universal soldier, universal soldier: day of reckoning, Universal Soldier: Day of Reckoning

Check This: From Jack Torrance to The Joker

Ever wonder how Jack Nicholson became the Clown Prince of Crime? We have to thank Warner Bros.’ desire to bring a “darker, edgier” Batman to the big screen … and “The Shining.”


Here’s a bit of Overlook Hotel lore you may not have heard before. Back in 1980, producer Michael E. Uslan was mulling over the cinematic incarnation of the Dark Knight and came across a publicity still of Jack Nicholson in “The Shining.” He started doodling over it, and voila! Gotham City’s most notorious criminal.


Audiences would get a load of Jack as the Joker nine years later in Tim Burton’s “Batman” and Uslan would go on to serve as a producer on pretty much every single Batman-related film project to come out of Warner Bros. Check out the drawing that jump-started one of the most lucrative WB franchises of all time below, and thanks to Retronaut for the find.


 

Categories: News

Tags: batman, jack nicholson, The Shining, Jack Nicholson, Batman

Jumat, 30 November 2012

RESIDENT EVIL: RETRIBUTION (2012)

 Tanggal Rilis : 14 September 2012 (USA)
Jenis Film : Action | Horror | Sci-Fi
Diperankan Oleh : Milla Jovovich, Sienna Guillory and Michelle Rodriguez

Ringkasan Cerita RESIDENT EVIL: RETRIBUTION (2012) :

The Umbrella Corporation’s deadly T-virus continues to ravage the Earth, transforming the global population into legions of the flesh eating Undead. The human race’s last and only hope, Alice, awakens in the heart of Umbrella’s most clandestine operations facility and unveils more of her mysterious past as she delves further into the complex.

Has ‘The Expendables’ Rejuvenated the Careers of Its ’80s Action Stars?

When “The Expendables” hit theaters back in 2010, nobody really expected much. A bunch of over-the-hill fossils spitting out cheesy one-liners and mowing down hordes of faceless bad guys like it was still 1987? That’s going to bomb for sure, right?


Well, instead it became a surprise box office smash, spawning a successful sequel earlier this year with a third installment already in the works. And that’s not all: As the release of “Universal Soldier: Day of Reckoning” this Friday shows, it also seems to have revived interest in some of the franchise’s many forgotten heroes.


Which brings us to our big question: Has “The Expendables” actually rejuvenated the careers of its ’80s action stars? Or are fans only interested in seeing them packaged together with their fellow museum relics?


There’s only one way to answer that, of course. So grab your headband, load your bazooka and start thinking of corny jokes, because things are about to get mighty ’80s up in here.


Sylvester Stallone: Stallone’s career resurgence actually began a few years before he created the fake ’80s franchise “The Expendables” thanks to the revivals of his actual ’80s franchises. But while 2006's “Rocky Balboa” and 2008's “Rambo” were successful at the box office, they weren’t exactly huge hits, nor did they convince anybody that Stallone had anything new left in him. After “The Expendables,” though, which he also wrote and directed, Stallone has more juice than he’s had since his “Rocky” heyday three and a half decades ago.
Has His Career Been Rejuvenated: Yes.


Dolph Lundgren: Lundgren is an interesting case study. Prior to “The Expendables,” his last major theatrical release in America was 1995's “Johnny Mnemonic,” which was a complete disaster. Over in Europe, though, he has remained a major action star, turning out no less than 25 films that basically never saw the light of day on this side of the Atlantic. Now, however, he not only had an expanded role in this year’s “The Expendables 2,” he has a new film opening in the U.S. this week with “Universal Soldier: Day of Reckoning.”
Has His Career Been Rejuvenated: America is where it’s at, so yes.


Jean-Claude Van Damme: JCVD co-stars with Lundgren in “Universal Soldier: Day of Reckoning,” so you would think this would be a slam dunk, but not so fast, friends. Considering he wasn’t in the first “Expendables” and ended up getting himself all killed to death in the sequel, he doesn’t have quite as much momentum — or potential momentum — to work with as his fellow action heroes. Is he good for a cameo or a one-off villain like he played in “The Expendables 2?? Sure. But is he back to being big enough to anchor his own films again? Considering he’s got Lundgren supporting him this time around as well…
Has His Career Been Rejuvenated: No.


Jet Li: You don’t really think of Li as being an ’80s star, but in fact the 49-year-old martial arts master made several films back in the day. He’s also never entirely lost his career mojo like some of his co-stars in “The Expendables,” but in recent years, like Lundgren, he has begun making the majority of his films overseas as Hollywood lost faith. While “The Expendables” has proven that he can still kick some butt when he needs to, it may be telling that the only film he currently has lined up is… “The Expendables 3.”
Has His Career Been Rejuvenated: Not yet anyway.


Arnold Schwarzenegger: Of all the folks on our list, Schwarzenegger may be the smartest one; when his career began to collapse in the late ’90s, instead of just fading away or turning into a desperate has-been, he turned to politics and got himself elected governor of California. Now that his political career is over, “The Expendables” franchise has given him the perfect vehicle to prove he can still kill bad guys and declaim badly written dialogue at the same time. He said he’d be back, and he didn’t lie.
Has His Career Been Rejuvenated: Yes.


Bruce Willis: Well, look, Bruce Willis’s career never needed to be rejuvenated because unlike everyone else in these films, he’s remained an A-list movie star the whole dang time. In fact, taking on a role in “The Expendables” wasn’t an opportunity to revive his career, it was actually more of a risky gamble. If it had turned into a dud, after all, he might have found himself lumped in with the rest as a has-been, which may be one reason he only agreed to a cameo in the first film before expanding his role in the sequel once he knew it was going to be a hit.
Has His Career Been Rejuvenated: No, but it hasn’t been hurt either.


Chuck Norris: We get it, Norris is a legend. He’s also, by the way, 72 years old and hadn’t appeared on the big or small screen in seven years before his walk on role in “The Expendables 2.” During that time, he found a second career as an internet meme, but unless his next movie is about finding the Fountain of Youth, it looks as though Norris is going to stay happily retired. He’s earned it.
Has His Career Been Rejuvenated: Chuck Norris is above such petty concerns. But no.

Categories: Features, Lists

Tags: arnold schwarzenegger, bruce willis, chuck norris, Dolph Lundgren, features, jean-claude van damme, jet li, sylvester stallone, The Expendables 2, The Expendales, universal soldier: day of reckoning, The Expendables, The Expendables 2, Sylvester Stallone, Arnold Schwarzenegger, Jet Li, Universal Soldier: Day of Reckoning, Dolph Lundgren, Chuck Norris

THE BOURNE LEGACY (2012)

 Tanggal Rilis : 10 August 2012 (USA)
Jenis Film : Action | Adventure | Mystery
Diperankan Oleh : Jeremy Renner, Rachel Weisz and Edward Norton

Ringkasan Cerita THE BOURNE LEGACY (2012) :

The narrative architect behind the Bourne film series, Tony Gilroy, takes the helm in the next chapter of the hugely popular espionage franchise that has earned almost $1 billion at the global box office: The Bourne Legacy. The writer/director expands the Bourne universe created by Robert Ludlum with an original story that introduces us to a new hero (Jeremy Renner) whose life-or-death stakes have been triggered by the events of the first three films. For The Bourne Legacy, Renner joins fellow series newcomers Rachel Weisz, Edward Norton, Stacy Keach and Oscar Isaac, while franchise veterans Albert Finney, Joan Allen, David Strathairn and Scott Glenn reprise their roles. 

The ‘Life of Pi’ Chart

Ang Lee’s “Life of Pi” is a behemoth of a movie: 127 minutes chronicling the life of the titular Pi, a young man who grows up on a zoo in India and then finds himself stranded at sea with only an adult Bengal tiger, Richard Parker, to keep him company.


Despite the desolate solitude that weaves through most of the film, Pi finds a surprising amount of ways to spend his time. Check out our pie (Pi!) chart below for a breakdown. Click the image below (or here) to zoom in.


Check out our friend Rick Slusher’s other helpful infographics:

Categories: Features, Photos

Tags: Exclusive, Infographic, life of pi, Life of Pi

The Great Debate: ‘Happy Gilmore’ vs. ‘Billy Madison’

Welcome to our monthly column, The Great Debate, where two genuinely intelligent critics face off to decide who rules Thunderdome. For this comedic edition, Film.com’s Laremy Legel will argue in favor of the slightly genius “Happy Gilmore.” Holding the flag for “Billy Madison” is Ben Kaplan, host of the Internet-acclaimed FilmDrunk podcast and founder of Automatik Clothing (T-shirts from the future). Gentlemen, let’s get it on!

Laremy Legel, Team “Happy”: “Happy Gilmore” works on a number of levels, though admittedly many Sandler films  have proven to be false idols over the last decade. Hi, “Jack and Jill”! But 1996 was a simpler time, wasn’t it? We still had a Pharaoh, and Hootie and his Blowfish were crushing the box office. Then, in February, “Happy Gilmore” quietly slid into theaters. Truth be told, not many folks saw it back then. But for those who did… Ah, what an impression it left.

So, Ben, I guess my opening gambit is this: Are you too good for your home?

Ben Kaplan, Team “Billy”: I may not be good enough for a 20,000 square foot palatial estate with a jet-skiing pool and maid’s quarters. Fortunately, “Billy Madison” is definitely not too good for the Madison Estate. (And neither are Professor X’s gifted youngsters, apparently. The Madison Estate was also used in the X-Men documentaries. Seriously.). Plus, 1995 was an even simpler time than 1996, when Billy Madison was playing water polo (or was it Marco Polo?) with the unforgettable Veronica Vaughn. Back when Nudie Magazine Day still meant something in this country. Ahhh, 1995, we miss you.

So, with that, I will answer your question with a question: How can you possibly defend a movie that does not even have Chris Farley as a scene-stealing bus driver?

Laremy Legel: I see your Chris Farley and raise you a Bob Barker! Bob Barker! Of Barker’s Beauties!

You’ve definitely got the advantage where living quarters are concerned, I completely cede that point. Poor Happy struggled to even get Nana’s home back. And well played on Veronica Vaughn, but I feel smugly confident about Julie Bowen’s Virginia Venit. Bowen went on to the hit TV show “Ed” — now she’s crushing it on “Modern Family”! Two Primetime Emmys don’t lie, scoreboard, #yolo.

But enough messing around, it’s time to pull out the big guns. Not to be a downer, but doesn’t the funniest joke in “Billy Madison” involve micturation? This is what you’re bringing to the table?

Ben Kaplan Damn! Foiled by Bob Barker once again!

I can’t lie — I had to look micturation up, and sadly the Internet did not take me to Urban Dictionary, AKA “The Modern Man’s Dictionary.” Yes, Grandma saying that she is Miles Davis cool because she frequently micturates her pants is funny indeed. The truth of the matter is the funniest joke in “Billy Madison” occurs when the moderator of the decathlon declares everyone officially stupider for hearing Billy’s response in the debate (“The Puppy Who Lost His Way,” anyone?), awarding him no points and asking God to have mercy on Billy’s eternal soul.

I can’t stand giving my opponent here any ammunition, but “Happy” does feature arguably the best supporting role in the history of cinema. Not a day goes by, not a day, that I do not quote a line from this great actor’s scenes. How was this not your opening argument for the film?

Laremy Legel: Are you talking about Shooter McGavin? I hope you’re talking about Shooter McGavin. Hmmm, this feels like a trap.

“I award you no points, and may God have mercy on your soul,” is indeed money in the bank. See, that’s the thing that’s hard about arguing against “Billy Madison.” I love “Billy Madison”! And the penguins! Did they tell you to do this, Ben? This is like the Civil War all over again. Now I completely get why Daniel Day-Lewis was so troubled.

Okay, okay, keep it together, Legel, you’ve got an Internet popularity contest to win.

Here is a real reason “Happy” must be chosen above “Billy.” Science! Did you know that Happy’s swing would actually work in real life? THAT IS SCIENCE. You’ve been beaten by science.

Oh wait, did you mean Ben Stiller? Now you’ve just pulled lawn duty! Arrgh, the suspense is making me crazy!

Ben Kaplan I can’t believe you pulled out the Sports Science card! Nearly an unfair advantage. I am just glad science is here to remind us that Happy Gilmore’s swing changed the golf game forever.

And while I can’t argue with Shooter McGavin’s legendary performance (finger guns AND he fires his caddy mid-round? Tremendous!), I am, of course, referring to Ben Stiller. And who pulls “lawn duty”?? It’s Landscaping Duty, Legel! Have you ever left the house? “You can have a warm glass of shut the hell up”? “You will go to sleep or I will put you to sleep”? Those lines are classic, and they echo in eternity.

I leave you with this to chew on: Billy Madison’s dad is played by Darren McGavin. You think he is related to Shooter? He must be, right? Probably his brother.

Laremy Legel: You fell right into that one. Now I have you quoting “Happy Gilmore” back to me. A classic blogger’s trick! We call it trollin’ and rollin’. Funny terms for things keep the blog engines running, that’s what my pappy always said.

Now that I’ve got you on the run, I’ll drop some more knowledge on your head. First off, “Happy Gilmore” made more money. Secondly, it has a higher RottenTomatoes score. Thirdly, the IMDB score on “Happy” is higher. Fourthly, I win. Other than the critics, general audience and the Internet, you’ve got a good case.

[Takes a bow]

Ben Kaplan Trolled and rolled!?! Drats! Well, while you may have me with all of your fancy “statistics,” try this on for size:

Billy Madison’s dad is played by Darren McGavin (FACT). What if Darren McGavin IS Shooter (Darren “Shooter” McGavin??), and Billy’s dad is also Happy’s nemesis!? I don’t know what it all means, but I have a feeling that this conspiracy goes all the way to the top. Or it could just be total coincidence, but I really don’t think so.

Billy also has a scene in which we get to laugh uproariously at someone who is literally engulfed in flames (the cooking contest during the decathlon). Have we ever laughed that hard at a human fireball before or since? I think not.

Also, Veronica Vaughn. I’m standing by that one.

Laremy Legel: I feel like “Apocalypse Now” probably had one of those fireball scenes, but there’s no way I’m researching that particular point (again). I’ll even give you Bridgette Wilson-Sampras. Sure, go ahead, continue with your ogling. Happy ain’t care.

But your blatant attempt to muddy the waters with the conspiracy theory can’t go unchecked. So here’s a bit more trivia (Latin for “tributary”) that will completely knock your socks off. It’s clear from watching “Happy Gilmore” that Shooter McGavin wants you to do what he says. Or you’ll pay. Go lay by the bay! Case closed, amiright?

In summation, even you’ve got to admit that “Happy Gilmore” trounces “Billy Madison” in every category that matters. It’s really not even close. “Happy Gilmore” is doing an end zone dance while “Billy Madison” waits forlornly for his nudie magazine.

Regardless, we’re about to turn this over to the voters, whom I’m certain will carry me to victory because democracy never lies. Any last words, hombre? Perhaps I’ll see you after match, in the clubhouse?

Ben Kaplan I vaguely recall a “funny man on fire” in the Director’s Cut Extended Edition Criterion Collection of “Apocalypse Now.”

While I concede that “Happy” wins in categories that you no doubt skewed to suit your argument, “Billy” wins handily in the following categories:

1) Steve Buscemi applying lipstick

2) Giant penguins drinking umbrella cocktails
3) Adam Sandler talking gibberish
4) Chris Farley driving a bus while wearing 9 chins

You play a tough game, Legel. While I am honored to have fought this historic battle with you on the Internet, I only hope someday our paths shall cross again. Maybe next time we can debate “Ace Ventura” vs. “Ace Ventura 2: When Nature Calls.” Bumblebee tuna, anyone?

Categories: Features

Tags: adam sandler, Billy Madison, Chris Farley, Happy Gilmore, steve buscemi, The Great Debate, Happy Gilmore, Billy Madison, Adam Sandler, Chris Farley, Steve Buscemi

Kamis, 29 November 2012

‘Silver Linings’ and ‘Moonrise Kingdom’ Own Independent Spirit Awards Noms

The nominees for the 2013 Independent Spirit Awards were announced earlier today and as predicted by our awards expert, Joe Reid, the proceedings were dominated by a handful of critically acclaimed films, including “The Silver Linings Playbook,” “Moonrise Kingdom” and “Beasts of the Southern Wild.”


Those three films were joined by “Bernie” and “Keep the Lights On” as Best Feature nominees.


“The Silver Linings Playbook,” which is expected to be a major force at this year’s Academy Awards, built some award season momentum; besides Best Feature, the film also earned nominations for Best Director (David O. Russell), Best Male Lead (Bradley Cooper), Best Female Lead (Jennifer Lawrence) and Best Screenplay (Russell).


“Moonrise Kingdom,” meanwhile, brought in additional nominations for Best Director (Wes Anderson), Best Screenplay (Anderson and Roman Coppola), Best Cinematography (Robert Yeoman) and Best Supporting Male (Bruce Willis), but was shut out in the lead acting categories.


On the other hand, “Beasts of the Southern Wild” star Quvenzhané Wallis, who was only five years old when she auditioned for the film, received a Best Female Lead nomination. The film also earned nods for Best Director (Benh Zeitlin) and Best Cinematography (Ben Richardson).


Other films making a strong showing include “The Sessions,” which earned acting nods for both John Hawkes and Helen Hunt, and Best Feature nominee”Bernie,” which earned a also landed a Best Male Lead nomination for Jack Black.


The 2013 Independent Spirit Awards will be presented the night before the Oscars, airing on IFC on Saturday, February 28 at 10 p.m. ET. Here’s a full list of the nominees:


Best Feature
“Moonrise Kingdom”
“Silver Linings Playbook”
“Beasts of the Southern Wild”
“Keep the Lights On”
“Bernie”


Best Director
Wes Anderson – “Moonrise Kingdom”
Julia Loktev – “The Loneliest Planet”
David O. Russell – “Silver Linings Playbook”
Ira Sachs – “Keep the Lights On”
Benh Zeitlin – “Beasts of the Southern Wild”


Best Female Lead
Linda Cardellini – “Return”
Emayatzy Corinealdi – “Middle of Nowhere”
Jennifer Lawrence – “Silver Linings Playbook”
Quvenzhané Wallis – “Beasts of the Southern Wild”
Mary Elizabeth Winstead – “Smashed”


Best Male Lead
Jack Black – “Bernie
Bradley Cooper – “Silver Linings Playbook”
John Hawkes – “The Sessions”
Thure Lindhardt – “Keep the Lights On”
Matthew McConaughey – “Killer Joe”
Wendell Pierce – “Four”


Best Supporting Male
Matthew McConaughey – “Magic Mike”
David Oyelowo – “Middle of Nowhere”
Michael Pena – “End of Watch”
Sam Rockwell – “Seven Psychopaths”
Bruce Willis – “Moonrise Kingdom”


Best Supporting Female
Rosemarie DeWitt – “Your Sister’s Sister”
Ann Dowd – “Compliance”
Helen Hunt – “The Sessions”
Brit Marling – “Sound of My Voice”
Lorraine Toussaint – “Middle of Nowhere”


Best First Feature
“Fill the Void” – Rama Burshtein
“Gimme the Loot” – Adam Leon
“Safety Not Guaranteed” – Colin Trevorrow
“Sound of My Voice” – Zal Batmanglij
“The Perks of Being a Wallflower” – Stephen Chbosky


Best International Film
“Amour” (France)
“Once Upon a Time in Anatolia” (Turkey)
“Rust and Bone” (France/Belgium)
“Sister” (Switzerland)
“War Witch” (Democratic Republic of Congo)


Best Documentary
“How to Survive a Plague”
“Marina Abramovic: The Artist is Present”
“The Central park Five”
“The Invisible War”
“The Waiting Room”


Best Cinematography
Yoni Brook – “Valley of Saints”
Lol Crawley – “Here”
Ben Richardson – “Beasts of the Southern Wild”
Roman Vasyanov – “End of Watch”
Robert Yeoman – “Moonrise Kingdom”


Best Screenplay
Wes Anderson and Roman Coppola – “Moonrise Kingdom”
Zoe Kazan – “Ruby Sparks”
Martin McDonagh – “Seven Psychopaths”
David O. Russell – “Silver Linings Playbook”
Ira Sachs and Mauricio Zacharias – “Keep the Lights On”


Best First Screenplay
Rama Burshtein – “Fill the Void”
Derek Connolly – “Safety Not Guaranteed”
Nicholas Jarecki – “Arbitrage”
Rashida Jones and Will McCormack – “Celeste and Jesse Forever”
Jonathan Lisecki – “Gayby”


Stella Artois Truer Than Fiction Award
Lucien Castaing-Taylor and Verena Paravel
Peter Nicks
Jason Tippet and Elizabeth Mimms


Piaget Producers Award
Alicia Van Couvering
Mynette Louie
Derrick Tseng


Someone to Watch Award
David Fenster – “Pincus”
Adam Leon – “Gimme the Loot”
Rebecca Thomas – “Electrick Children”


John Cassavetes Award
“Breakfast with Curtis”
“Middle of Nowhere”
“Mosquita y Mari”
“Starlet”
“The Color Wheel”


Robert Altman Award
“Starlet”

Categories: Awards

Tags: independent spirit awards

For Your Consideration: Matthew McConaughey in ‘Magic Mike’

When “Magic Mike” was first announced, the world took it as a colossal joke. Channing Tatum getting the biopic treatment? By Steven Soderbergh? It wasn’t quite the cinematic end times, but it was certainly a sign to many that Hollywood — even someone like Soderbergh — had run out of ideas. Studios were becoming so desperate to cash in on a brand that they would pretend Channing Tatum was one.


When the first cast member to sign on was Matthew McConaughey, the movie-watching world rolled its eyes. McConaughey was the finishing dollop of cheese (and chest muscle) that signaled this movie was nothing more than celluloid junk food. Yes, “The Lincoln Lawyer” had won our favorite shirtless surfer some dramatic credibility back, but “Magic Mike” appeared to be a regression into fluff, as if he was trying to atone for wearing a shirt and tie for an entire film. The casting of beefcakes that followed — Alex Pettyfer, Joe Manganiello, Matt Bomer and Adam Rodriguez — didn’t bolster the confidence or enthusiasm of cinephiles. At best, Soderbergh was going to turn out a harmless piece of eye-candy for his new friend Channing. At worst, it was going to be, well, a Matthew McConaughey movie.


But then the buzz started. The film wrapped in late October 2011 and was immediately snapped up for distribution by Warner Bros. Insiders were whispering that, despite its appearance, its cast and its dubious origin, the movie was actually really good. It wasn’t long before test screenings singled out McConaughey’s performance as a highlight and an early frontrunner for an Oscar nomination. Once June rolled around, the hype turned out to be true, and the praise has clung to him like a pair of sweaty stripper chaps. The Indie Spirit Awards announced a nomination for McConaughey for Best Supporting Actor - the question is whether or not Dallas can “All right, all right, all right” himself into the Academy Awards.


By now, those who have assiduously avoided “Magic Mike” are scoffing. An Oscar nomination for a stripper named Dallas? For a movie called “Magic Mike”? Is everyone high? Isn’t it just the same old drawling McConaughey? What’s special about this incarnation except the thong?


Well, quite a bit. It’s a stellar performance from McConaughey, and largely because it happily trades on the star’s dopey image. Dallas initially seems like a good ol’ boy who has lucked out in the flesh trade. He’s charming and cocky, reveling in his ability to send his female audience crazy by stroking his own nipples. (His “The law says you cannot touch this!” monologue might be the most quoted scene of 2012.) He’s warm and generous to his cast of studs, especially his star Mike, and seems genuinely hurt when Adam (Pettyfer) tries to give him his first earnings. The way he shoves Adam’s money back at him is tender and paternal.


Dallas is also obsessive and driven, but in a way we initially appreciate. He wants to put on the best beefcake show in Tampa, and his dream is to make enough money to take Xquisite to Miami. When the show has technical errors (Tarzan passes out), Dallas flips out in a way anyone in a high-stress and chaotic job will identify with. The show must go on, the audience must be satisfied, and no one seems to care more about that than Dallas.


However, the man running a show called Xquisite isn’t exactly the businessman next door. Unsurprisingly, Dallas has a dark side. His relationship with his dancers is unsettlingly intimate and kinky. His view of women is a grim mix of romance and consumerism. His female audience is something to be pleased and teased (his “Ladies of Tampa” song is genuinely sweet), but they’re also something to be crassly derided. Dallas proclaims them to be a screaming and desperate horde, easily manipulated out of their $20 bills with each pelvic thrust and direct eye contact. He’s the portrait of the artist as a scumbag.


Still, isn’t he just McConaughey? Weirdo McConaughey, blowing fire and living in a house decorated entirely with images of himself? That’s certainly what Mike (and the audience) thinks, until Dallas reveals himself to be a vicious and manipulative manager who has been playing his fresh meat for years. The moment he turns on Mike is chilling, as Dallas snaps from laid-back bro to a cruel and craven user in an instant. Mike, who thinks of Dallas as an idiot pal, is as horrified as we are. It’s a terrifically meta moment, as though McConaughey and his alter ego have spent years crafting a daffy bongo-playing image purely to turn on us. While much has been made of his final scene (a deliciously sleazy, feverish striptease where McConaughey’s thong actually snaps off), it’s his throwdown with Mike that’s truly the stuff of a sizzle reel.


Even better, it’s not just Dallas revealing his true colors but the film itself. We thought “Magic Mike” was a smutty comedy with a character named Big Dick Richie, but Dallas’s I-own-you-moment turns it into a thoroughly adult film that could have been made in the ’70s with Warren Beatty or James Caan sporting his studded thong.


McConaughey could – and should – get an Oscar nomination this year for “Magic Mike.” Besides his performance as Dallas, the movies he’s appeared in since cruising around in “The Lincoln Lawyer” are wildly different. In 2011 alone, we saw him on screen as a Stetson-wearing Texas DA in “Bernie,” a psychopathic cop in “Killer Joe” and a very conflicted journalist in “The Paperboy” in quick succession, turning the tables on everyone who wrote him off as a romcom bonehead. He’s currently earning a ton of press for his alarming weight loss as preparation for his role as an AIDS patient in “The Dallas Buyers Club.”


Seemingly overnight, McConaughey has reinvented himself as a dedicated indie actor, willing to strip, wax and starve himself in order to achieve authenticity. If it was revealed tomorrow that McConaughey is actually a character being played by Daniel Day-Lewis in his most method performance to date, it would only be slightly less weird than what’s actually happened to the “Dazed and Confused” star. The Academy loves a career resurrection as much as they love flashy roles, and McConaughey has provided both. He probably won’t win against heavyweight favorites such as Philip Seymour Hoffman (“The Master”) or Tommy Lee Jones (“Lincoln”), but with a thong full of twenties and newfound industry respect, we think he already has.

Categories: Awards, For Your Consideration

Tags: bernie, dazed and confused, For Your Consideration, Killer Joe, Magic Mike, matthew mcconaughey, oscar, The Dallas Buyers Club, the lincoln lawyer, The Paperboy, Magic Mike, The Lincoln Lawyer, Killer Joe, The Paperboy, Steven Soderbergh, Matthew McConaughey

Senin, 19 November 2012

FILM PARANORMAN (2012)

FILM PARANORMAN (2012)

Tanggal Rilis : 17 August 2012 (USA)
Jenis Film : Animation | Adventure | Comedy
Diperankan Oleh : Kodi Smit-McPhee, Anna Kendrick and Christopher Mintz-Plasse

Ringkasan Cerita FILM PARANORMAN (2012) :

In the town of Blithe Hollow, Norman Babcock is a boy who can speak to the dead, but no one besides his eccentric new friend, Neil, believes his ability is real. One day, Norman’s estranged eccentric uncle tells him of an important annual ritual he must take up to protect the town from an curse cast by a witch it condemned centuries ago.

Eventually, Norman decides to cooperate, but things don’t go according to plan. Now, a magic storm of the witch threatens Blithe Hollow as the accursed dead rise. Together with unexpected new companions, Norman struggles to save his town, only to discover the horrific truth of the curse. With that insight, Norman must resolve the crisis for good as only he can.

[IMDb rating : 7.4/10]
[Awards : - ]
[Production Co : Laika Entertainment]
[IMDb link : http://www.imdb.com/title/tt1623288]

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Lincoln (2012)

Lincoln (2012)

Tanggal Rilis :16 November 2012
Jenis Film :Biography | Drama | History | War
Diperankan Oleh :Daniel Day-Lewis, Sally Field and David Strathairn

Ringkasan Cerita Lincoln (2012) :

DreamWorks telah mengumumkan bahwa film “akan fokus pada tabrakan politik Lincoln dan orang-orang kuat kabinetnya di jalan menuju penghapusan dan berakhirnya Perang Saudara.” [11] Menurut Spielberg, Doris Kearns Goodwin seluruh buku tentang Lincoln presiden adalah “terlalu besar” untuk sebuah film, dan mengatakan bahwa film ini akan fokus pada beberapa bulan terakhir hidup Lincoln, akhir dari perbudakan dan kemenangan Uni dalam Perang Saudara.

Spielberg mengatakan bahwa “apa yang secara permanen mengakhiri perbudakan adalah suara sangat dekat di DPR atas Perubahan Ketigabelas -. Bahwa cerita Saya senang untuk mengatakan” Spielberg berencana untuk menunjukkan [12] “Lincoln di tempat kerja, bukan hanya berdiri di sekitar Lincoln berpose untuk buku-buku sejarah … bisa dibilang Presiden bekerja terbesar dalam sejarah Amerika melakukan beberapa pekerjaan terbesar bagi dunia.” [13]
Penulis skenario Tony Kushner mengatakan bahwa ia bekerja pada script selama enam tahun dan bahwa ia sangat tertarik pada “hubungan Lincoln ke abolisionis GOP” dan bahwa Lincoln kemampuan “luar biasa untuk siasat keadaan politik sangat, sangat berbahaya dan terus memindahkan negara maju, maksud saya, untuk memimpin negara maju di tengah-tengah masa yang paling sulit horrendously dalam sejarah, saya pikir, hati dan menakjubkan “[14].

[IMDb rating : 7.9/10]
[Production Co : DreamWorks Pictures, Twentieth Century Fox Film Corporation, ]
[IMDb link : http://www.imdb.com/title/tt0443272/]

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Review: ‘Anna Karenina’ Is a Love Story Lacking Connection

Review originally published September 7, 2012 as part of Film.com’s coverage of the 2012 Toronto International Film Festival.

Dance scenes are something of a specialty for director Joe Wright. His previous work, “Pride and Prejudice,” features elegantly rendered cinematic soirees, and “Anna Karenina” follows right along in its footsteps. Frozen dancers fade into the background, Keira Knightley’s visage shining brightly in the foreground. Sadly, these scenes play much better in the former literary adaptation, as “Pride and Prejudice” was a slow burn … that blossomed into a lovely romance. Not so much for “Anna Karenina,” a film that tries twice as hard and feels about four times as long. Though often visually striking, the story never fully takes off, leaving one of the greatest novelized tragedies of the past two centuries entirely bereft of an emotional connection on the big screen.

For those not familiar with the source material, which has been called “the greatest novel ever written,” the film commences in Imperial Russia during the 1870s. There’s been a mite bit of wee adultery, and Anna Karenina (Knightley) has been summoned to provincial Moscow to salve some familial wounds. She’s from high-powered St. Petersburg, where her husband Alexei Karenin (Jude Law) is an influential statesman. The opening ten minutes of “Anna Karenina” are fairly light-hearted, strutting and preening, a false note that doesn’t portend what’s to follow.

Also Check Out: Stars Take the Red Carpet at the 2012 Toronto Film Festival

Things become intriguing in Moscow for Karenina when Count Vronsky (Aaron Johnson) decides he must have her, hubby and child be damned. Anna is largely up for it, though the likely outcome seems to be only misery and remorse. Give Russian scribes this; they know how to wallow in the sadness reaped from poor decision-making abilities.

Broad themes present themselves when considering “Anna Karenina,” the facile nature of lust versus love, the impetuous and rash decisions of the flesh, and one’s duty to spouse and country. And are crazier people just naturally more attractive? The very notion of forgiveness is roundly prodded and poked, much to the chagrin of poor Mr. Karenin. The joy of the “chase” gets its fair share of screen time too, and the verdict seems to be that illicit love is all the more delightful for its roundly expected heartbreak.

Sadly, and perhaps inevitably, there were far too many themes for a two-hour film to broach. Unfortunately, “Anna Karenina” never hits any sort of stride where the narrative arc is concerned. The dark side of love is ruminated upon, sure, but there’s never any real payoff. The film faces the dilemma of a thousand book adaptations before it – it’s too small in scale to offer the epic rewards of the written word, but too large on-screen to hide from its glaring shortcomings. Solid visual moments aren’t enough to sustain an audience, and Joe Wright’s visual style isn’t enough to salvage gaping wounds in the story.

“Anna Karenina” ends up in the ditch, like anyone who has loved and lost, as the perception of desire’s perfection smacks right up against the eventual realization of adoration’s flaws. To its detriment, the film is largely slung together in a co-mingled joyless ball … until all that’s left is regret.

Grade: C

Categories: Reviews

Tags: Aaron Johnson, Anna Karenina, jude law, Kiera Knightley, pride and prejudice, Toronto International Film Festival

Minggu, 18 November 2012

Alt Weekly: ‘Silver Linings Playbook’ and More

Welcome back to Alt Weekly, a column in which we shine a spotlight on the independent films brave enough to open opposite Hollywood’s behemoth blockbusters before rolling out in wider release.

This week, love is in the air as Russian socialites and Philly neurotics dare to take on the smitten vampires and werewolves of “The Twilight Saga: Breaking Dawn – Part 2.”

‘ANNA KARENINA’

Filmmaker Cred: Joe Wright previously directed “Hanna,” “Atonement” and “Pride & Prejudice.”

Star Power: “Atonement” and “Pride” star Keira Knightley, Jude Law, Aaron Johnson, Kelly Macdonald.

Festival/Awards Buzz: Wright’s reportedly lavish adaptation of Leo Tolstoy’s classic novel premiered at Toronto last September, where our reviewer found himself unmoved by the end result.

Release Details: 16 screens as of this Friday, and due for nationwide expansion over the coming weeks.

See This If… You’re always up for the latest Keira Knightley period piece.

‘FUNERAL KINGS’

Filmmaker Cred: This is the feature debut of writers/directors/brothers Kevin and Matthew McManus.

Star Power: Kevin Corrigan in a supporting role.

Festival/Awards Buzz: This coming-of-age comedy was a foul-mouthed favorite at South by Southwest, where we reviewed it.

Release Details: Just LA this weekend.

See This If… The thought of two altar boys playing hooky after every funeral service they serve already tickles your funny bone.

‘MEA MAXIMA CULPA: SILENCE IN THE HOUSE OF GOD’

Filmmaker Cred: This is the latest documentary from the prolific Alex Gibney (“Inside Job,” “Taxi to the Dark Side”).

Star Power: Um, the Catholic Church?

Festival/Awards Buzz: Gibney’s extensive look at accusations of clerical pedophilia likewise premiered at Toronto. Our reviewer found the material tough to take, but ultimately worth watching.

Release Details: One screen each in NY and LA this week before an eventual HBO premiere.

See This If… You’re both willing and able to watch a sobering yet well-made documentary that treads where “Funeral Kings” dares not to go.

‘SILVER LININGS PLAYBOOK’

Filmmaker Cred: Writer-director David O. Russell previously made “The Fighter,” “Three Kings” and “I Heart Huckabees.”

Star Power: Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jacki Weaver, Chris Tucker, Julia Stiles.

Festival/Awards Buzz: The response to this bi-polar rom-com has rarely been short of rapturous, and our own review falls in line with the widespread praise.

Release Details: 15 screens in the top 10 markets this Friday, with a wider release to 400+ screens in time for Thanksgiving.

See This If… You’re trying to keep up with the current Oscar front-runners. (It’s pretty much this and “Argo” at this point in the game.)

Categories: Alt Weekly, Columns

Tags: Aaron Johnson, alt weekly, Anna Karenina, David O. Russell, funeral kings, Jennifer Lawrence, mea maxima culpa, Silver Linings Playbook

The Actors Statistically Most Likely To Get Oscar-Nominated This Year

Every year, the race to the Oscars includes a list of contenders that range from previous Academy Award winners to hopeful first-timers. This year brings much of the same, with buzzed-about actors like two-time winners Daniel Day-Lewis (“Lincoln”) and Denzel Washington (“Flight”) and previously nominated actresses Jennifer Lawrence (“Silver Linings Playbook”) and Jessica Chastain (“Zero Dark Thirty”).

Who has the advantage when it comes to Academy voters? Forget about chance and take a look at the statistics, which show how much of a lock Day-Lewis is, compared to never-been-nominated Bradley Cooper. Here’s how this year’s slate of possible nominees stacks up — we’ll show you the number of times they’ve been nominated against the number of substantial roles they’ve had.

Best Actor:
Daniel Day-Lewis, “Lincoln” (4 nominations, 19 roles: 21%)
At age 55, the Method actor of his generation makes a movie only slightly more often than director Terrence Malick. Considering his amazing performance as the United States’ legendary 16th President – not to mention his penchant for racking up awards, Day-Lewis is sure to score an Oscar nomination this year.
Denzel Washington, “Flight” (5 nominations, 40 roles: 13%)
Like Day-Lewis, Washington has won two Oscars, but he has the most overall nominations of any actor in the mix this awards season. Denzel’s nuanced turn as a troubled pilot has been considered a triumph, so an Academy Award nod should be expected.
Joaquin Phoenix, “The Master” (2 nominations, 24 roles: 8%)
Yes, he did say he was retiring from acting at one point, but Phoenix’s return to the big screen was nothing short of transcendent. There’s no doubt that Phoenix will be rewarded for his masterful portrayal with a third Oscar nomination.
Anthony Hopkins, “Hitchcock” (4 nominations, 62 roles: 6%)
One of Hollywood’s most esteemed elder statesman playing one of its most iconic filmmakers is a formula made for Academy voters. How could Hopkins, who memorably won the Oscar for “The Silence of the Lambs,” NOT get a nod for playing the portly genius behind “Vertigo” and “Psycho”?
Christoph Waltz, “Django Unchained” (1 nomination, 26 roles: 4%)
The last time Waltz worked for Quentin Tarantino, he scored an Academy Award (in addition to nearly every other acting honor) for his first English-language role. With his upcoming depiction of a dentist-turned-bounty hunter in Tarantino’s much-anticipated antebellum thriller, Waltz could go 2 for 2 in QT films.
Bill Murray, “Hyde Park on Hudson” (1 nomination, 47 roles: 2%)
Since his days on “Saturday Night Live,” Murray has transformed himself into a indie film favorite, vehicle for Wes Anderson’s visions, and the finest actor to step off of “SNL”’s studio 8H. In the comedy “Hyde Park,” Murray plays FDR and once again demonstrates why he’s the master of droll.
John Hawkes, “The Sessions” (1 nomination, 53 roles: 2%)
A character actor turned leading man, Hawkes is one of those critically acclaimed actors who never fails to impress. As a disabled virgin hoping to get a whole lotta love from a sex surrogate (Helen Hunt), Hawkes has a good chance at scoring his second nomination.
Hugh Jackman, “Les Miserables” (0 nominations, 22 roles: 0%)
We had to double check that Jackman had yet to receive an Academy Award nomination, but it’s true. Playing protagonist Jean Valjean could and should change that for the Tony-winning actor, because he’ll get to show off his acting and singing skills in one of the most beloved musicals in the world.
Bradley Cooper, “Silver Linings Playbook” (0 nominations, 22 roles: 0%)
He might be the outgoing Sexiest Man Alive, but Cooper’s far more than a pretty face. This hunk can act, and anyone who doubts it should see him opposite Jennifer Lawrence in David O. Russell’s fabulous relationship drama. If dozens of Oscar pundits are to be believed Cooper is destined for his first Academy nod.

Best Actress:
Jennifer Lawrence, “Silver Linings Playbook” (1 nomination, 10 roles: 10%)
Nearly every pundit agrees that Lawrence, who was nominated at age 20 for her breakout performance in “Winter’s Bone,” is on track to receive her second nomination – not for “The Hunger Games,” but for her relationship drama “Silver Linings Playbook.”
Jessica Chastain, “Zero Dark Thirty” (1 nomination, 11 roles: 9%)
Chastain had a career-changing 2011, earning a Best Supporting Actress nod for her feisty role in “The Help,” and she’s clearly on a roll. She’s already being touted for Kathryn Bigelow’s Bin Laden drama, which comes out at the end of the year.
Helen Mirren, “Hitchcock” (4 nominations, 58 roles: 7%)
Mirren is the most decorated actress likely to get nominated this year, and at this point in her career, she could easily get Oscar buzz for asking for a bus transfer in a movie. Luckily for us, she does a whole lot more as Hitchcock’s wife and professional partner, Alma Reville.
Keira Knightley, “Anna Karenina” (1 nomination, 26 roles: 7%)
Knightley has made a living out of playing corseted characters in costume dramas, successfully earning an Oscar nomination for 2006’s “Pride & Prejudice.” After taking on yet another legendary literary protagonist, she’s likely to get Academy votes again.
Marion Cotillard, “Rust and Bone” (1 nomination, 36 roles: 3%)
Unlike most of the other women being buzzed about for an Oscar nomination, Cotillard already has an Academy Award for her transformative portrayal of Edith Piaf in 2007’s “La vie en rose,” so being on the shortlist again for the French drama “Rust and Bone” is a no-brainer.
Naomi Watts, “The Impossible” (1 nomination, 39 roles: 3% )
Watts last had the honor of being an Academy Award nominee in 2002 for “Mulholland Drive,” and 10 years later, it could happen again, thanks to her heartbreaking portrayal of a mother and wife trying to survive the South Asian Tsunami of 2004.
Emmanuelle Riva, “Amour” (0 nominations, 53 roles: 0%)
Riva’s most famous role came 53 years ago, as the unnamed lead in “Hiroshima Mon Amour,” a forerunner of the French New Wave. Now 85 and a veteran of French cinema, Riva plays a stroke victim, one half of an elderly couple. “Amour,” from controversial director Michael Haneke, won the Palm D’Or at Cannes, raising Riva’s odds for a nom.
Laura Linney, “Hyde Park on Hudson” (3 nominations, 34 roles: 9%)
A leading actress of her generation, and one of the most honored on this list, Linney displays her trademark versatility in this comedic portrayal of FDR’s mistress.
Quvenzhane Wallis, “Beasts of the Southern Wild” (0 nominations, 1 roles: 0%)
It’s not unheard of for a child actress to snag an Academy nomination for a universally revered performance. Wallis’ Hushpuppy is the protagonist and the heart of Benh Zeitlin’s fantasy drama, so it’s possible the Sundance darling could be a contender.

Best Supporting Actor:
Phillip Seymour Hoffman, “The Master” (3 nominations, 47 roles: 6%)
Though he took the title role in P.T. Anderson’s epic, he’ll likely find himself nominated as a supporting actor for his performance. No doubt one of the finest film and theater working today (he won an Oscar for “Capote” and also has three Tony nominations), he shines especially bright in Anderson’s ensemble masterpieces.
Alan Arkin, “Argo” (3 nominations, 60 roles: 5%)
A veteran character actor, Arkin received two nominations in the 1960s but didn’t get nominated again until 2007, when he won in this category for “Little Miss Sunshine.” In Ben Affleck’s recreation of a daring rescue during the 1979 Iran hostage crisis, Arkin portrays a film producer instrumental in bringing the plan together.
Tommy Lee Jones, “Lincoln” (3 nominations, 51 roles: 6%)
Jones donned a wig and a certain additional gravitas to complement his lined face to portray an abolitionist Civil-War-era senator struggling to reconcile his ideals with his political goal of full emancipation. Playing, again, the most serious man in the room may earn Jones another Academy nomination.
Robert De Niro, “Silver Linings Playbook” (6 nominations, 86 roles: 7%)
Hollywood’s ‘70s legend appears opposite Bradley Cooper and Jennifer Lawrence, two of Hollywood’s brightest young stars. As the oddball patriarch of a sports-obsessed Philadelphia clan, De Niro puts aside the comedic self-parody of the recent past to deliver a genuine, emotionally engaged performance that could earn him his seventh nomination.
Leonardo DiCaprio, “Django Unchained” (3 nominations, 25 roles: 12%)
DiCaprio is the star of many a commercial and critical hit by a long list of iconic directors (Scorsese, Cameron, Luhrmann, Spielberg, and Eastwood) He finally takes a turn with Quentin Tarantino, playing a brutal plantation master in this slave-revenge tale that could land him his fourth nomination.
Russell Crowe, “Les Miserables” (3 nominations, 34 roles: 9%)
Crowe brings the trademark intensity that won him an Oscar in “Gladiator” to the role of Javert, the relentless police inspector in the Hollywood adaptation of the long-running Broadway hit.  Beloved by the Academy, Crowe getting another nomination seems more than likely.
Javier Bardem, “Skyfall” (3 nominations, 35 roles: 9%)
Bardem’s lantern jaw and heavy brow make him the perfect villain, and his Oscar-winning role in “No Country for Old Men, ” defined the relentless villain of unstoppable evil. Though no Bond film has ever received an acting nomination, Bardem’s unforgettably campy villain Silva may break that streak.
Matthew McConaughey, “Magic Mike” (0 nominations, 35 roles: 0%)
Though not generally placed in the same category as others on this list, McConaughey’s depiction of Dallas, the enigmatic father figure and strip club owner, in Steven Soderbergh’s summer hit could land him a surprise (and his first) Academy nomination.
Ewan McGregor, “The Impossible” (0 nominations, 45 roles: 0%)
The versatile McGregor, who got his start in indie favorites and got worldwide recognition in the “Star Wars” prequels stars opposite Naomi Watts as the father of a family torn asunder by the 2004 Tsunami. His harrowing on-screen search for his wife and child amidst the carnage may wash up a nomination for McGregor.

Supporting Actress:
Amy Adams, “The Master” (3 nominations, 27 roles: 11%)
Equally talented in family comedies (“Enchanted,” “The Muppets”) and more adult fare (“The Fighter,” “Doubt,”), her role as the true-believer wife of Philip Seymour Hoffman’s title character lands her in the latter category.
Helen Hunt, “The Sessions” (1 nomination, 34 roles: 3%)
With only one nomination (but a winning one, for 1997’s “As Good as It Gets”), Hunt has been winning renewed critical praise for her nakedly honest portrayal of a sex therapist working with a virginal polio victim.
Anne Hathaway, “Les Miserables” (1 nomination, 22 roles: 5%)
In high school, Hathaway sang at Carnegie Hall. In 2012, Hathaway will sing on screen as Fantine, the tragic young mother in the highly anticipated film adaptation of the Broadway hit. Will “I Dreamed a Dream” earn her the dream of a second nomination?
Jacki Weaver, “Silver Linings Playbook” (1 nomination, 16 roles: 6%)
An Australian sex symbol from the 1970s, Weaver was nominated for 2010’s crime drama “Animal Kingdom. ” Weaver could score another nod for a very different kind of  family ensemble, as the on-screen wife of Robert De Niro and mother of Bradley Cooper.
Susan Sarandon, “Arbitrage” (5 nominations, 36 roles: 14%)
It has been six years since Sarandon last impressed Academy voters (her fifth and winning nomination was for “Dead Man Walking”) , but she’s garnered such universal praise for Nicholas Jarecki’s high-stakes drama “Arbitrage” (as financier Richard Gere’s put-upon wife) that a sixth could be in the works.
Maggie Smith, “Best Exotic Marigold Hotel” (6 nominations, 52 roles: 12%)
Along with Judi Dench, she’s the grand dame of British actors, able to make even the smallest of roles award worthy. Her last time on the Oscar short list was 2002 (and her last win was in 1979); could 2012 bring lucky number seven?
Sally Field, “Lincoln” (2 nominations, 33 roles: 6%)
Field has been nominated for exactly two Academy Awards, and she has won both times. While accepting her second, for the 1984 Great Depression drama “Places in the Heart,” she famously said “I can’t deny the fact you like me right now, you really like me.” We’re betting the Academy will like her again after her powerful portrayal of Mary Todd Lincoln.
Samantha Barks, “Les Miserables” (0 nominations, 1 roles: 0%)
Barks may be the only actor on this list to win her place due to a reality show. In 2008, after placing third in “I’d Do Anything, ” a BBC show hunting for the next West End theater star, Barks was cast as Eponine in the London production of “Les Miserables,” the role she’ll reprise in the filmed adaptation, her first feature role.
Emily Blunt, “Looper” (0 nominations, 22 roles: 0%)
Sci-fi thrillers don’t get a lot of love from Academy voters, but “Looper” proved to be one of the best of genre, and Blunt delivers a performance full of secrets that she unspools in refreshing fashion.

Categories: Awards

Tags: Alan Arkin, Argo, bill murray, Christoph Waltz, emmanuelle riva, helen mirren, jessica chastain, joaquin phoenix, keira knightley, laura linney, naomi watts, Phillip Seymour Hoffman, robert de niro

Dear ‘Twilight’: Thank You For Ending

The “Twilight” movie franchise has been so successful that even people who are not in its target audience of teenage girls and sexually frustrated middle-aged women have been consumed by it, overwhelmed by it, unable to escape seeing evidence of it at every turn. That includes those of us who work in the field of entertainment journalism (put sarcastic finger quotes around either or both of those words). Just as sports writers must pay attention to the WNBA occasionally and soccer every four years, entertainment writers must go where the stories are. And for the last five years, the stories have been in the “Twilight” zone.

But now we come to “Breaking Dawn — Part 2,” the fifth and final installment in a series that critics have hailed as “expensive” and “based on some books.” This is the last one. There will be no more “Twilight” movies (until the franchise is rebooted) (in eight years). It is the end of an era — not just for fans but for everyone who has seen its stars gazing blankly, Kardashian-like, from the cover of every magazine; for everyone who has been personally offended by the blasphemous notion of vampires that sparkle, as if the very idea exhumed Bram Stoker’s corpse and violated it; for every literate person who has condemned the popularity of Stephenie Meyer’s “awful” books, which they haven’t read; for every person in America who thinks that Robert Pattinson is odd-looking and who still only has a vague but unfavorable impression of what a “Taylor Lautner” even is.

It is the end of an era for us all. A bittersweet moment. As journalists, we say farewell to something we weren’t very interested in to begin with, yet we know in our hearts that we will miss Kristen Stewart’s facial expression (singular), and that we will fondly recall the pointless arguments between “Harry Potter” fans and “Twilight” fans. We movie bloggers will miss asking tough questions at red-carpet events, questions such as “Are Kristen and Rob back together?” and “Why won’t you comment on Kristen and Rob?” and “Will you take your shirt off?”

Most of all, we will miss the pageviews, the millions and millions of pageviews we got simply by mentioning something “Twilight”-related in the headline. So many glorious pageviews in exchange for so little effort! We will miss you a lot.

But overall, we are glad to see “Twilight” fade into the rearview mirror (which for some reason these vampires cast reflections in, don’t get us started). We’re tired of pretending that Taylor Lautner may one day be a legitimate movie star. We didn’t like being forced to admit that Robert Pattinson may have some talent. (For future reference, once we decide an actor is useless based on the movies he chooses to star in, please do not correct us.) We were briefly cheered when Kristen cheated on Rob, but the novelty quickly wore off. “Will this affect the box office for ‘Breaking Dawn — Part 2'?” was not a question we could ask with a straight face very many times.

Yes, we are relieved to have endured the last mumbly press junket, the last Comic-Con panel, and the last cacophonous outcry from Comic-Con stalwarts who don’t think “Twilight” belongs there. Never again will we be obligated to report with breathless astonishment that the latest “Twilight” movie has sold a lot of tickets!!!!!! and is popular among people who love “Twilight”!!!!! We’ve written the last of our “think pieces” about how “Twilight” reflects Stephenie Meyer’s Mormon faith, or how the popularity of the series is a statement on post-feminist America, or any of the other B.S. things we made up to fill space.

With “Twilight” out of the way, we can finally get back to important movie journalism, such as ranking the James Bond films and posting links to mashed-up trailers. No longer will controversial topics like Spider-Man’s new mask being the wrong thickness or Dan Aykroyd saying the word “ghostbusters” in his sleep be put on the back burner. Now, at last, we are done with “Twilight” and can turn our attention to something that really matters: blindly guessing who will direct the new “Star Wars” movie. Our future is bright, so bright it practically sparkles.

Categories: Features

Tags: kristen stewart, robert pattinson, The Twilight Saga: Breaking Dawn -- Part 2

Price Check (2012)

Price Check (2012)

Tanggal Rilis :16 November 2012
Jenis Film :Comedy , Drama
Diperankan Oleh :Parker Posey, Eric Mabius and Annie Parisse

Ringkasan Cerita Price Check (2012) :

Pete Cozy (Eric Mabius) telah menemukan  sebuah rumah di pinggiran kota dan pekerjaan di departemen harga dari rantai supermarket lumayan. Pekerjaan Pete memungkinkan dia untuk menghabiskan waktu berkualitas dengan istrinya (Annie Parisse) dan anak muda dan, meskipun fakta bahwa mereka tenggelam dalam utang, mereka tampak senang.Semuanya berubah ketika Pete mendapat bos baru.

Dengan pengaruh Susan, Pete menemukan dirinya di jalur eksekutif, sesuatu yang baik kejutan dan menggairahkan dirinya. Semakin naik gaji nya, semakin ia harus tampil di tempat kerja … dan semakin sedikit waktu yang dia bisa menghabiskan waktu dengan keluarganya. Pada saat yang sama, hubungannya dengan bosnya mulai menyeberangi garis etika profesional. Keduanya menjadi terpikat dengan satu sama lain – menciptakan ketegangan di tempat kerja dan dalam kehidupan rumah pribadinya.

[IMDb rating : 5.1/10]
[Production Co : Dolly Hall Productions]
[IMDb link : http://www.imdb.com/title/tt1845849/]

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