Minggu, 10 Februari 2013

If Actors With Similar Names Swapped Movie Roles

It’s easy to get confused in Hollywood, what with so many people in the film industry sharing similar names. Everything else in Tinseltown makes absolutely perfect sense (isn’t that right, “Movie 43?”), but the potential for phonetic confusion between actors sure can get you all mixed up. This can be especially problematic because some of the actors with the most easily confusable names have created iconically singular characters, delivering performances that are so closely aligned with who they are that they seem inseparable from the role. We spent a little time thinking about some of our favorite actors with similar names and imagining how their most popular movies might have been transformed by a slightly different name on the poster.


If there’s anything that legendary broadcaster Edward R. Murrow hated more than witch hunts and no-smoking signs, it was bullies. Action star Jason Statham offers his take on the renowned media figure in “Good Night and Good Luck,” as the broadcaster fights Senator Joseph McCarthy over the airwaves by day and on the streets by night, conducting a relentless manhunt in his desperate search for the truth. Complete with an inexplicable British accent, Murrow’s bulldog determination results in a man who loves breaking stories as much as he does breaking necks, a man who hits first and asks questions immediately afterward, winning awards for his investigative methods and the respect of the country for his physical prowess.


As a mild-mannered courier caught up in a conspiracy beyond his wildest dreams, David Straitharn is a nameless mercenary on wheels, known only to his associates as “The Transporter.” The three-hour film is entirely comprised of long takes of Strathairn double-parked and staring into space, the packages he’s set to deliver tucked gently under his arm. Convinced someone is following him, he begins evasive maneuvers and calls his wife several times, discreetly mentioning his concerns and waving for other motorists to pass by.



Under Steven Seagal’s watchful eye, “Forgetting Sarah Marshall” becomes a tough, neck-snapping action film. The unforgettably savage story of a father attempting to avenge the death of his murdered daughter (Mila Kunis), the film follows Seagal as he eventually makes his way to the villain’s compound on the tropical paradise of Hawaii. While being constantly reminded of her tortured existence amidst the tropical splendor, he takes names and kicks asses, eventually uncovering the truth of her survival and leading to a tearful, mutually pony-tailed reunion.


Meanwhile, as a former Navy SEAL turned fry cook, bumbling Jason Segel struggles to protect the crew of an American battleship from the threat of Gary Busey in “Under Siege.” His puckish and goofy everyman behavior is unintentionally hilarious, turning the film into a sweet comedy that’s punctuated by… wait, is that secondary villain Tommy Lee Jones cos-playing “Easy Rider?” Realizing they’ve hit gold, the producers quickly rush sequels into production, with “Under Siege 2” attempting to rebrand Jason Segel as an honest to goodness action hero. Hilarity ensues.


 


“Rebel Without a Cause” takes on a decidedly different feel as porn star turned actor James Deen stars as an angsty teenager hell-bent on smoldering his way to self-discovery. Deen romances everyone in sight, from the leading lady to the questionably gay best friend, delivering an overwhelmingly erotic performance that earns big bucks at the box office and horrifies parents everywhere. The film, meant to be a searing commentary on teen strife, is criticized as sensationalistic, hyper-sexual drivel that’s lacking in substance. In real life, of course, James Deen would never be involved in anything like that…


Oh hey, “The Canyons!” James Dean’s soulful and moving performance in Paul Schrader’s already notorious new film is so astounding that it overshadows the remarkable (and kinda frightening) technology required to reanimate him from the dead. Indeed, his work is strong enough to salvage the film from the wreckage left by Lindsay Lohan. Penned by scribe Bret Easton Ellis, the film reaffirms Dean’s gift for elevating so-so material into the stuff of legend. Dean’s final performance earns him an Oscar for his role as the abusive, relentless Christian.


 


Christian Bale stars in the drama “When in Rome” as a tense New Yorker whose anger management issues poke out during the Italian wedding of his beloved sister, ruining the ceremony.


When the maid of honor (Naomi Watts) follows him back to the United States, the pair strike up an unlikely friendship, despite the fact that Bale lashes out every time he’s in public.


As women begin throwing themselves at him at an alarming rate, he recedes into the depths of his mind, leaving him house-bound and terrified. When Watts’ stalkerish actions begin to border on insane, Bale is left with no option but to slip out of the city in the dead of night, taking his only friend with him as he searches for peace in the countryside.


 


In a stunning bit of role reversal casting, Kristen Bell dons the iconic cape and cowl for Christopher Nolan’s “The Dark Knight” series, continuing the longstanding tradition of goofy comic book films. Turning the entire process on its head, Nolan’s wild world pairs Bell as millionaire playgirl Betty Wayne, who seeks to fight crime as Batman and protect Gotham city, though no one knows that she’s really a girl!


With Ellen Barkin as the disapproving Alfreda, and Whoopi Goldberg as the talented inventor who stores all of her high-tech gadgets in the first place that Betty’s villains might think to look, Bell attempts to fight the Penguin (Chris Pratt) and keep Arkham under control while still quipping it up and having a ball.


 


In the zany, comedic world of “Total Recall,” Will Farrell stars as a construction worker who dreams of leaving behind his mundane world and traveling to Mars as a spy. When he’s given the opportunity to experience fake memories of Mars, at night, he soon grows attached to the false memories and spends more and more of his time visiting his secondary live on Mars. When he meets a young woman (Anna Faris) who is also on a mental vacation, he starts to spend more of his waking hours attempting to find her. Will the two meet up in real life or are they doomed to a virtual romance forever?


In “Anchorman: The Legend of Ron Burgundy” Colin Farrell stars as a hardened, alcoholic 1970s nightly news anchor, Ron Burgundy, whose addiction to pills and booze is threatening his work and his relationships. Once at the top of his game, Burgundy has given in and taken to covering puff pieces and inane stories, his awards gathering dust on the shelf. When a hard-nosed female anchor (Christina Applegate) is hired into the staff, she sees the potential that Burgundy still has and attempts to revive his career while working her own way up the ladder. Burgundy’s ultimate decision between the promise of love and the lure of addiction proves tragic, moving and profound.


These are just a few of my favorite swaps, but there’s plenty of others out there!

Categories: Features

Tags: Actors swap roles, Christian bale, Colin farrell, David Strathairn, Diane Keaton, James dean, James Deen, Jason segel, Jason statham, Kristen bell, Michael keaton, Movie Swap, Steven seagal, Will ferrell

Is Jason Bateman Picking the Right Roles?

Incredibly, according to the fans , the 42 top-ranked efforts on Jason Bateman’s resume are all “Arrested Development” episodes. That means nothing else he has done has matched, say his 40th best “Arrested Development” appearance. That’s amazing, isn’t it? And for any other actor, it would be a ringing indictment of a “one-hit wonder”. But for Jason Bateman? We’re so appreciative of the transformational “Arrested Development” series, he’s basically received a lifetime pass from all of us.

Still, let’s take a look at what’s going on with Mr. Bateman, because it just might be time to revoke that lifetime pass. This weekend sees the release of “Identity Thief” with co-star Melissa McCarthy. Now no one wants to judge a book by its cover, but the concept alone is massively shoddy. A guy tracks down the hilarious lady that’s stolen his identity? Then they fight in a comical manner! Why, we haven’t seen anything like that in the past 72 hours, have we?

That trailer is a legitimate nightmare. Did they even need writers for that, or did the Hollywood mad-libs computer auto-generate that script? Thankfully, some cursory research reveals the screenwriter also cranked out “Scary Movie 4,” “Superhero Movie,” and “The Hangover Part II” – so I take it all back, we’re in great shape! Looking further down Jason Bateman’s resume, you could very easily crush “Couples Retreat,” “The Ex,” “Extract,” “The Switch,” and “Hancock”. Generic comedies seem to be Bateman’s bailiwick, even if I was personally a fan of his work in “Horrible Bosses” and “Up in the Air”.

On the plus side for Jason Bateman, perhaps an actor like Matthew McConaughey could be inspirational. There was a period where McConaughey was caught in rom-com hell, though he also managed to do a few action films on the side. There are clear parallels to Jason Bateman, “Smoking Aces,” “State of Play,” and “The Kingdom” come to mind and show Bateman has the acting chops, though he’s clearly been typecast over the past few years. But who are we kidding, could you ever see Jason Bateman singing “Ladies of Tampa”? Is he off-kilter enough to show up in a movie like “Killer Joe”? It doesn’t seem like that’s going to happen, leaving poor Jason Bateman back in the vanilla comedy realm, a genre he should be better than.

In the end, Jason Bateman is probably doing what any of us would do. He’s taking the jobs that are being offered to him. But with the resume he’s building, he might want to sit the next couple plays out. The “Arrested Development” series hits the Internet airwaves this May, with the movie to follow afterward, and given some time, we’ll probably all forgive him anew.

Categories: Features

Tags: Identity Thief, Jason bateman

ANNA KARENINA (2012)

 

Tanggal Rilis : 7 September 2012
Jenis Film : Drama
Diperankan Oleh : Keira Knightley, Jude Law and Aaron Taylor-Johnson


Ringkasan Cerita ANNA KARENINA (2012) :

The third collaboration of Academy Award nominee Keira Knightley with acclaimed director Joe Wright, following the award-winning box office successes Pride & Prejudice and Atonement, is a bold, theatrical new vision of the epic story of love, adapted from Leo Tolstoy s timeless novel by Academy Award winner Tom Stoppard ( Shakespeare in Love ). The story powerfully explores the capacity for love that surges through the human heart. As Anna (Ms. Knightley) questions her happiness and marriage, change comes to all around her.

SUSHI GIRL (2012)

 

Tanggal Rilis : 29 November 2012 (Russia)
Jenis Film : Crime | Thriller
Diperankan Oleh : Tony Todd, James Duval and Noah Hathaway


Ringkasan Cerita SUSHI GIRL (2012) :

Fish has spent six years in jail. Six years alone. Six years keeping his mouth shut about the robbery, about the other men involved. The night he is released, the four men he protected with silence celebrate his freedom with a congratulatory dinner. The meal is a lavish array of sushi, served off the naked body of a beautiful young woman. The sushi girl seems catatonic, trained to ignore everything in the room, even if things become dangerous. Sure enough, the four unwieldy thieves can’t help but open old wounds in an attempt to find their missing loot.

APOCALYPTO (2006)

 

Tanggal Rilis : 8 December 2006 (USA)
Jenis Film : Action | Adventure | Drama
Diperankan Oleh : Gerardo Taracena, Raoul Trujillo and Dalia Hernández


Ringkasan Cerita APOCALYPTO (2006) :

In the Maya civilization, a peaceful tribe is brutally attacked by warriors seeking slaves and human beings for sacrifice for their gods. Jaguar Paw hides his pregnant wife and his son in a deep hole nearby their tribe and is captured while fighting with his people. An eclipse spares his life from the sacrifice and later he has to fight to survive and save his beloved family.

Sabtu, 09 Februari 2013

Category Preview: Where Do We Stand on Best Actor?

All season, it’s been a one-man show in Best Actor. Daniel Day-Lewis, as he often does, is mowing down the competition. There’s sometimes a danger to being a frontrunner for so long, especially in an extended campaign season. Will the voters get bored and talk themselves into someone else? Here’s where we stand at the moment.


Daniel Day-Lewis, “Lincoln”
Oscar History: It only seems like DDL takes home the Oscar every time he’s nominated. He’s won twice, yes, for “My Left Foot” in 1989 and “There Will Be Blood” in 2007, but he’s also lost twice — in 1993, for “In the Name of the Father,” and in 2002 for “Gangs of New York.”
What’s the Story if He Wins? Kind of the same as the story right now: He’s the greatest actor of his generation. It’s not like he needs the validation. He’s not breaking any records (yet). The fact that nobody is scrambling to find alternatives to Day-Lewis’s steamroll is arguably the biggest testament to how well he’s regarded.
Predicted Order of People He’ll Thank: Steven Spielberg, Sally Field, Tony Kushner, his makeup artist, his wife, Abraham Lincoln, his cast of thousands.
What Are the Odds? As good as anything going on Oscar night.


Bradley Cooper, “Silver Linings Playbook”
Oscar History: None. Cruelly snubbed for “Wedding Crashers” in 2005. That smear campaign from the William Hurt people really did a number on him.
What’s the Story if He Wins? The power of Weinstein. People got bored with Daniel Day-Lewis’s dominance. All of Cooper’s 600 projects next year will get to sell their Oscar-winning star.
Predicted Order of People He’ll Thank: David O. Russell, Jennifer Lawrence, Robert De Niro, Jacki Weaver, assorted other co-stars hopefully including Julia Stiles, the city of Philadelphia, the choreographer, JJ Abrams, Jennifer Garner, Victor Garber, Lena Olin, Merrin Dungey.
What Are the Odds? Better than some, but still not great. He’s the lottery ticket worth having, at any rate.


Hugh Jackman, “Les Miserables”
Oscar History: First nomination, strangely enough. He’s ensconced enough in Oscar’s good graces after hosting the 2008 awards and has seemed an “Oscar type” for a while.
What’s the Story if He Wins? The “Les Mis” supporters were a silent majority the likes that Nixon never dreamed of. The rumble of the movie has died down in recent weeks as it’s faded from threat to win to comfortable also-ran. If there are still pockets of support to be rallied, and if those pockets are not satisfied merely with Supporting Actress, Jackman could see a surge of votes.
Predicted Order of People He’ll Thank: The Academy, Tom Hooper, Colm Wilkinson, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Victor Hugo, his lovely and patient wife, his fellow nominees for not singing through their own roles.
What Are the Odds? Not this time, I don’t think, but I can see him in line for more nominations and maybe a win down the line.


Joaquin Phoenix, “The Master”
Oscar History: Two previous nominations, for “Gladiator” and “Walk the Line,” both of which were terrible burdens to him, apparently.
What’s the Story if He Wins? The triumph of the anti-campaign! Don’t think it’ll be the first time that particular narrative gets told, either. And I somehow doubt Joaquin has the stones to pull a Brando or even a George C. Scott-like stunt if he does.
Predicted Order of People He’ll Thank: Paul Thomas Anderson, artists around the world who don’t pander, Casey Affleck.
What Are the Odds? Doesn’t look like it. For one thing, Daniel Day-Lewis is hogging all the “physical transformation”/”complete immersion into the role” attention. If Joaquin were to ever lower himself to campaign, that would have been the stuff to campaign on.


Denzel Washington, “Flight”
Oscar History: “Flight” marks Denzel’s sixth acting nomination. He’s got two wins. And while “Flight” marks a return to form for the actor, he’s probably going to need a “Lincoln”-like tour de force to win his third.
What’s the Story if He Wins? Hollywood Reeeeeally Loves Denzel. A-List box-office powerhouses are hard to come by, and we need to reward them accordingly. Secondary narrative: It really sometimes can be a one-man show. “Flight” is nothing without Denzel, and he deserves credit for that.
Predicted Order of People He’ll Thank: The Academy, God, Robert Zemeckis, Paramount, his fellow nominees, his wife, Tony Scott.
What Are the Odds? At the outset of this Oscar season, it seemed like it was Denzel vs. Daniel in a race for a third trophy, but “Flight” simply proved to be well less popular than “Lincoln.” Still, six nominations puts him in quite rarefied company. Now the hunt is on for the role that could unlock win #3.

Categories: No Categories

Tags: Academy awards, Best actor, Bradley cooper, Daniel day-lewis, Denzel washington, Flight, Hugh jackman, Joaquin phoenix, Les Miserables, Lincoln, Nominees, Oscars, Silver Linings Playbook, The master

Infographic: The Movie Kid Pyramid

From adorably bespectacled tots like “Jerry Maguire”’s Ray Boyd to horrifying bile-spewing hellions like “The Exorcist”’s Regan McNeil, kids in movies have long elicited a wide spectrum of appeal and revulsion from audiences. Whereas many movie kids endear themselves to us the minute they appear onscreen, others straddle that fine line between charming and menacing with nothing more than a mischievous glint in their eye.


In order to sort out the little angels from the pint-sized demons, we’ve deduced once and for all where a bunch of prominent child-characters stand on the cute-to-creepy scale by creating The Movie Kid Pyramid.


Aside from the diminutive darlings on top and the evil S.O.B.s on the bottom, those occupying space in the middle of the pyramid are very much open for debate. This is especially true when actors such as Drew Barrymore and Macaulay Culkin play characters that have clearly stood on both sides of the fence. Take a look at our graphic below and see if you agree with the positions we’ve designated for these wee icons. Click here for the hi-res version.


 

Categories: No Categories

Tags: Infographics

You Guys, Charlie Sheen Is Back! Just Kidding.

Twenty-five years ago any outside observer would have predicted an amazing future for Charlie Sheen. “Platoon,” “Wall Street,” “Young Guns,” “Eight Men Out” and “Major League” showed off serious range, and all were released within 28 months of each other. Fast forward to this week and examine the wreckage that is Charlie Sheen’s career. His newest film, “A Glimpse Inside the Mind of Charles Swan III ” debuted to a less than stellar 40 percent on RottenTomatoes, and his FX show “Anger Management” dropped a catastrophic 67 percent in the ratings for its second season premiere. Those are not the metrics of an amazing future, so we’ve got to wonder: What the hell happened to Charlie Sheen? Why isn’t he “back” as an actor, and why won’t that ever change?


You’d have to point to Sheen’s epic public meltdown as the catalyst for all of his recent misfortunes. Paul Simon said that “breakdowns come, and breakdowns go ,” but Charlie Sheen’s level-five unraveling in front of the American public permanently damaged him in a way that even Tom Cruise and Mel Gibson managed to avoid. It was as if technology, via flipcams and YouTube, rushed forward to find Sheen at his craziest, broadcast him to millions, and then left behind only charred wreckage where a man-sized actor had once been. For six straight months, you couldn’t avoid the guy. He was getting booed at one-man shows, he was practically anchoring TMZ, he was criticizing his meal ticket and he was anointing porn stars as goddesses . Could even the most ardent Charlie Sheen fan find value in this spectacle? This wasn’t Ricky “Wild Thing” Vaughn, it was Charlie “Disturbed Thing” Sheen. Demographically speaking, hanging out with stars of the adult cinema is about as good a way as any to ensure that most female fans will turn their back on you. And though everyone watched circus unfold, curious as to how Sheen would top his latest antics, he was revealing something about himself that’s death to an actor – his inner soul and belief system.


What do you know about Daniel Day-Lewis or Viola Davis? How about Philip Seymour Hoffman or Meryl Streep? Paul Giamatti? Do you fondly recall their gossip rag appearances, their very public disasters, their unhinged moments in front of millions? No, you certainly don’t, because the average film viewer probably doesn’t know anything about them beyond the fact that they are wonderful actors. To inhabit the skin of another person, to “act,” you need to be a blank canvas. Well, blank canvases just won’t do for US Weekly, and – as such – most luminary actors stay well out of the controversy spotlight. For every Lindsay Lohan there’s a handful of Jessica Chastains. Even the ones who manage a little of both, like Russell Crowe, eventually have to peep down or just own the entire “bad boy” persona. Charlie Sheen didn’t merely adopt that same “bad boy” mentality, he was born in it. Unlike Christian Bale, he wasn’t screaming at a sound guy on a closed set, and unlike Lily Tomlin he wasn’t questioning the creative process. Even unlike Crowe or Michael Richards, you couldn’t distill his shenanigans down to a single act – because Sheen was omnipresent and ubiquitous. He was larger than life, and somewhere in that transaction he lost the ability to slip into a show or film without being CHARLIE SHEEN: Media spectacle. Suddenly, every story about his career was tinged with elements of “which Sheen showed up?” and “Can he put the past behind him?”


That’s a terrible situation for anyone to be in, because it takes the spotlight off of whatever you’re trying to accomplish, putting it firmly on yourself instead. Writers and directors – heck, even fellow actors – don’t like the idea of working with a guy who is clearly bringing far more hype than substance to his craft. When Sheen bragged about his ability to carry a show, he was actively undermining his ability to, well, carry a show. Once you’ve boldly proclaimed, “I am a significant person who matters!!” you’ve also said “Feel free to disregard future works, go ahead and judge me on all the hype surrounding this disaster.” You’ve indeed made yourself important, but you’ve become a “personality” instead of a person who works hard and loves their job. Carrying a show is the quiet work Claire Danes does, the subtle and humble performance of Bryan Cranston in “Breaking Bad.” Cranston does interviews and promotes, but after that you don’t hear from him. He’s a ghost, and the show is always placed front and center. There are plenty of blogs and podcasts dedicated to “Breaking Bad,” but Cranston knows a movement that was all about him would take away from everyone else doing solid work, ultimately hurting the entire creative process. Try and find a Danes or Cranston interview where they don’t thank their fellow actors, the writers, or the showrunner.


So yeah, Charlie Sheen is probably doomed long-term. We’ve all now had a glimpse inside Charlie Sheen’s head, and after a few months of looking around in there and enjoying the circus, we’re all ready for a loooooong break.

Categories: Features

Tags: A Glimpse Inside the Mind of Charles Swan III, Apocalypse now, Charlie sheen, Platoon

Review: ‘The Playroom’ Is Invigorating

Review originally published April 24, 2012 as part of Film.com’s coverage of the 2012 Tribeca Film Festival.

You won’t need a degree in film studies to figure out the significance of the story that the four Cantwell children make up in “The Playroom”, an emotionally rich drama set in suburbia in 1975. Gathered around a candle to simulate a campfire setting, they improvise a tale about four orphaned kids who escape from their lonely castle and set out for adventure. Downstairs, the Cantwell children’s reckless parents are entertaining — which is to say, drinking, smoking, and loudly carousing with — another couple.

We understand from the get-go that this is a regular occurrence. The kids — almost-adult Maggie (Olivia Harris), bookish younger teen Christian (Jonathan McClendon), daddy’s girl Janie (Alexandra Doke), and sensitive little Sam (Ian Veteto) — are accustomed to spending evenings in the spacious attic playroom. One of the film’s deftest touches is an early scene in which the kids come home from school and chat casually as they clean up the empty glasses and full ashtrays from the previous night’s revelry, as if this is an ordinary afternoon chore. The children don’t comment on it. They don’t have to: the camera, surrogate for the viewer, does all the judging, panning scornfully across the living-room debris.

But being accustomed to it isn’t the same as accepting it, as evidenced by the fairy tale the kids cheerfully concoct tonight when it all happens again. Maggie, in particular, is getting old enough to seek freedom from parents who don’t do a lot of parenting after 6 p.m. anyway, and she’s eager to prove she can be at least as “adult” as they are, maybe by running off with her motorcycle-riding boyfriend (Cody Linley). Giving her a little extra nudge is the sensational newspaper story about yesterday’s arrest of Patty Hearst. (If you’re curious, that means the film takes place on Sept. 19, 1975.) Maggie can relate to Hearst’s desire for freedom. Her parents say Hearst is a terrorist, period, end of story.

I haven’t told you about the Cantwell parents yet. That’s only because the movie’s focus is on the children, who are having their own dramas in the foreground while their folks’ grown-up battles take place in the background. But the parents, Martin and Donna — played by Deadwood alumni John Hawkes and Molly Parker — are a compelling train wreck in their own right, boozing, laughing, arguing, and flirting with Mr. and Mrs. Knotts (Jonathan Brooks and Lydia Mackay). The dynamics between the Cantwells and the Knottses could be the material for an entirely separate movie, one where the kids are sent upstairs and not heard from again. What makes “The Playroom” special is that it never even considers doing that. It’s the children’s story all the way.

The kids’ performances are effective and strong, with little touches that bring them to life as recognizable types of smart young people: the way Christian has a favorite spot for reading, the way Sam catches hold of a new word he hears (“brainwashed”) and says it whenever he can, Janie’s fondness for telling jokes she learned from a joke book. When Mom and Dad get home and the family sits down to dinner — the last moment of traditional family behavior before the Knottses arrive — Martin conducts a spelling bee at which all of his children excel. You could almost believe that this household of bright adults and kids functions normally.

The film was directed by Julia Dyer, written by her sister Gretchen Dyer (who passed away in 2009), and produced by their brother Stephen Dyer. One is tempted to speculate about the state of things in the Dyer home in the 1970s, except that the film doesn’t really have the feel of a direct autobiography. It’s more like a sepia-toned snapshot from an experience that everyone has — childhood — mingled with memories of the freewheeling 1970s and of films like “The Ice Storm” and “Who’s Afraid of Virginia Woolf” (and, coincidentally, the short-lived TV series “Swingtown”, which also starred Molly Parker). It doesn’t reach quite the same devastating heights as those stories, but it covers its own ground with tender, sympathetic honesty that is refreshing and invigorating to watch.

Grade: B+

Categories: Reviews

Tags: John Hawkes, Molly parker, The playroom, Tribeca film festival

The 7 Most Impressive Hollywood Family Dynasties

It’s no secret that having a famous last name can get you through the door, especially in a place like Hollywood. It can even earn you a few extra chances when your film flops, and the critics and audiences are howling for your blood. And boy, will they howl, because one thing a recognizable surname can’t buy is popularity or box office appeal. In fact, such well-born may have to work that much harder to prove that they do possess talent, not just solid connections.


But given enough time, a certain surname actually becomes something critics and audiences sit up and notice. These are names belonging to stage-and-screen dynasties, and rather than earn disdain – “Oh, she only got the job because she’s a [x]!” – they become someone we’re excited to see. There’s something about seeing a talented bloodline continue onward, suggesting that talent isn’t just in a name, it’s in the very genes of certain individuals, and they pursue it not for fortune and glory, but because they must. It’s practically mystical. Of course, there’s still a bit of grumbling – “How nice to be born one of them!” – but when each one manages to win their own acclaim and awards, it feels a bit petty to pick on them. After all, you can’t pick your family, good or bad!


In the interests of Hollywood history, we’ve compiled the biggest and most illustrious Hollywood dynasties that are still alive and thriving today. (For the sake of brevity, we’ve kept it to families who spawned three generations or more. Sorry, Sheens and Sutherlands!) Since these clans appear to be good luck charms, let’s hope they keep going and working until there’s no such thing as movies.


1. The Hustons


If there was a Hollywood name that automatically inspires awe, envy, and interest, it’s Huston. They began with Walter Huston, who began acting on Broadway in 1924, and jumped into film in 1929. He became successful and distinguished on both fronts, eventually becoming nominated for four Academy Awards and one Golden Globe.


Walter was married three times, but produced only one child: John Huston, the legendary writer/director/actor/producer/booming voice who tore a rebellious and inimitable path through Hollywood. If Hollywood had an Ernest Hemingway, it was John Huston. Father and son even worked together on “The Treasure of the Sierra Madre,” which netted Walter his one and only Oscar win for acting, and Huston his first (though not last) Oscar for Best Director. They remain the only father-son pair to win Oscars for the same film.


John Huston’s love life was as wild as every other aspect of his career. He had three biological children: Angelica, Danny, and Tony, and adopted Allegra and Pablo Huston.


Angelica and Danny Huston are famous faces in their own right. Angelica is a brilliant actress, and has directed three films of her own. She made her screen debut in her father’s film, “A Walk With Love and Death” and worked with him three more times. Her performance in “Prizzi’s Honor” netted her a Best Actress Oscar, making Walter, John, and Angelica the first family to win three generations of Oscars.


Danny Huston initially followed in his father’s directorial footsteps with “Mr. North,” which was produced by his father and starred sisters Angelica and Allegra. He switched to acting full time in 1995, and hasn’t looked back, becoming ubiquitous as a heavy that scowls at Wolverine and Zeus.


Allegra and Tony have enjoyed success producing and writing for screen and bookshelf.


The family shows no signs of stopping their talented march, either. The up-and-coming Huston mantle is held by Jack Huston, son of Tony, who is currently owning the small screen “Boardwalk Empire,” has an impressive list of movie credits both big and small, and seems to be on every action and superhero casting shortlist in town. Handsome, talented, and possessing the magical Huston name, he seems destined for major, major success…and to produce a few new Hustons.


2. The Coppolas


In comparison to the Hustons, the Coppolas are newcomers. Francis Ford Coppola was the first to make his way into Hollywood, but what a splash he made! Coppola was one of the New Hollywood gang who owned the 1970s, reinventing film with “Apocalypse Now,” “The Godfather” and “The Conversation.” He’s won 5 Academy Awards, and been nominated for 7 more. He also owns and operates a fantastic winery, so he has that to fall back on if this moviemaking thing flops.


In an intriguing bit of reverse nepotism, Coppola brought his father, Carmine, to Hollywood (it usually works the other way round) to score his films. This netted the Coppola name another Oscar, as Carmine won Best Original Score for his “The Godfather: Part II” soundtrack.


Francis’ siblings also joined in the filmmaking fun. His sister, Talia Shire, became a successful actress who won the heart of Rocky and survived the Corleones. His brother, August, has preferred to work behind the scenes as an executive at Zoetrope, and the chairman and champion of various film festivals and organizations.


Francis’ wife, Eleanor, is a writer and documentarian. She’s taken it upon herself to document the family’s filmmaking exploits, perhaps most famously in “Hearts of Darkness: A Filmmaker’s Apocalypse.”


But, it’s possible that the second generation of Coppolas has earned even more attention than the first. Francis’ daughter Sofia is a successful director/screenwriter/producer. While her films are often bitterly debated among critics, she’s nevertheless proved she has the family knack for filmmaking. She’s the third woman to be nominated for Best Director, and when she won the Academy Award for Best Original Screenplay, cementing the Coppolas as the second family to have three generations of Oscar winners. (Remember, Grandpa Coppola has one, even if he won after his son did!)


Francis’ son, Roman, is also a director, and has usually worked second unit on his father’s films. However, he’s earned more renown as a screenwriter. He’s a frequent collaborator with Wes Anderson and sister Sofia, with credits on “The Darjeeling Limited,” “The Virgin Suicides,” “Marie Antoinette” and “Moonrise Kingdom.” The latter has netted him his first Oscar nomination for Best Original Screenplay.


Talia’s sons are none other than Jason Schwartzman, who is a successful actor and hipster icon, and musician/actor Robert Schwartzman. Because family sticks together, Jason dropped into Sofia’s “Maria Antoinette” to play the hapless King Louis XVI and Robert obliged by appearing in “The Virgin Suicides.” They are also very handsome boys.


August Coppola’s sons are director Christopher Coppola, actor/DJ Marc Coppola, and the acting legend/personality/behemoth that is Nicolas Cage. Famously, Cage didn’t want his name weighing him down, so he took his surname from Marvel hero Luke Cage. He’s been in nearly every film ever made in the 21st century, ranging from the sublime (“Leaving Las Vegas,” “Adaptation”) to the ridiculous. (“The Wicker Man,” “The Season of the Witch”) But with his Best Actor Oscar win, he joins Sofia as cementing the Coppolas as having produced three generations of Oscar winners.


Nicolas’ oldest son, Weston Coppola Cage, is a musician and comic book writer, and has dabbled in acting alongside his father. His youngest, Kal-El Cage, has a lot to live up to with that name, so one has to imagine he’ll join the entertainment game in some capacity.


Given just how many Coppolas there are, and that they continue to proliferate, there may come a time when the world is divided into two camps – those who are Coppolas, and those who are not.


3. The Barrymores


All the families – even the Hustons – are young whippersnappers compared to the Barrymores. They begin in 1849 with the birth of Herbert Arthur Chamberlyne Blythe, who changed his name to Maurice Barrymore to spare his family the shame of his becoming a “dissolute” stage actor. (He took his name from 19th century actor William Barrymore, but there’s no relation.) Maurice married actress Georgiana Drew (whose family had its own dynasty of actors), and they had three children: Lionel, John, and Ethel.


Lionel Barrymore became an actor/director/writer/producer/composer. His career spanned stage, screen, and radio and while he played a variety of parts, he became typecast as a grouchy old man. His most famous old crank? Mr. Potter of “It’s A Wonderful Life.”


Ethel Barrymore was content just perfecting her acting craft, and stuck to stage and screen. She was as popular as she was talented, and even had her own catchphrase when enthusiastic audiences demanded encores: “That’s all there is, there isn’t anymore!” It became a running joke of the 20s and 30s, and was even referenced in Laurel and Hardy. Of course, as is common in these dynasties, she often appeared in the silent films directed by her brother, Lionel.


But the most prominent of the siblings was arguably John Barrymore. Handsome and dashing, he moved easily between comedy and drama, stage and screen, appearing in many classic films of the 20s and 30s, usually opposite the most glamorous screen goddesses of the era.


Despite the starry successes of the Barrymore trio, their children had less luck treading the boards. Only two of John Barrymore’s children entered the family profession: Diana Barrymore, and John Drew Barrymore. Neither had the kind of recognition or work their father had, and both led rather troubled lives.


John Drew Barrymore produced two actors: John Blyth Barrymore, and Drew Barrymore. John Blyth Barrymore has retired into the world of civilian life, but Drew is still going strong as an actress/producer/director and all around lovely lady. Now that she has a daughter of her own, perhaps we’re in for a fifth round of Barrymore magic.


4. The Redgraves


There’s an acting dynasty … and then there’s entertainment royalty. Or, in other words, there’s the Redgraves. They have family tree that’s breathlessly documented. Books have been written about their lineage. It is vast, impressive, and ongoing.


The first recorded Redgrave is George Ellsworthy Redgrave (Roy to his friends and fans). He was acting onstage by 1894, possibly earlier, and started working in silent films in 1911. He racked up a resume of 10 films, finishing his career in 1920. His death actually remained a mystery until Lynn Redgrave (his granddaughter, but we’ll get to that) tracked him down, and discovered he had died in 1922 and was buried in an unmarked Australian grave.


Before he vanished, George “Roy” Redgrave fathered Michael Redgrave, who became a legend on the British stage, and was eventually knighted for his contribution to the arts. While the stage was what he was known for, he did appear in films, and was nominated for Best Actor in 1947 for “Mourning Becomes Electra.” His performance in “The Browning Version” is still a gold standard of acting. Despite a busy career, he produced three children: Vanessa, Corin, and Lynn. All three went into acting, which isn’t a surprise. It would have been weirder if they became accountants or doctors.


Vanessa is, perhaps, the most illustrious. She’s been called “the greatest actor of her generation” by no less than Tennessee Williams and Arthur Miller. She’s made over 80 films (more if you count her documentaries and television films), been in 35 plays. In addition to winning every other acting award that exists, she’s been nominated six times for a Best Actress Oscar, and won once. If she had never found time to produce another batch of Redgraves, it would have been understandable, but she managed to produce two additional actresses: the late Natasha Richardson, Joely Richardson, and a writer/director, Carlo Gabriel Nero.


Corin Redgrave’s career pales compares to his eldest sister, but is still something any actor envies. He enjoyed a long career on the stage and screen. Many of his films are classics, and he even managed to appear next to his sister, Vanessa, in “A Man For all Seasons.” Of his five children, only one has chosen to join the family trade: Jemma Redgrave.


Lynn Redgrave’s film and stage career rivals her sister’s, and while she didn’t rack up as many awards, she still managed two Oscar nominations, and scored her own OBE. None of her children have pursued acting.


While the Redgrave name is technically resting – Vanessa’s grandchildren are Neesons, Sparaneros, and a Brevan, Lynn’s are Clarks – it’s only a matter of time before another Redgrave makes a sixth generation official. Even without the name, there’s some awfully awesome genes floating around that family.


5. The Fondas


The Fondas may not have the sprawling lineage of the Redgraves, or span the pond like the Barrymores, but they’re an awfully impressive family nonetheless. They begin relatively recently in Hollywood history, with the legendary actor Henry Fonda. Name a classic, incredible, never-to-be-missed film. Chances are, Fonda is in it. He was nominated for three Oscars (one of which is because he was a producer on “12 Angry Men”), won once, and made off with a Lifetime Achievement for good measure.


Fonda had two children: Peter and Jane. Both became actors, and they’re both iconic, arguably becoming the faces to represent the counterculture generation. Jane has won two Best Actress Oscars, become a pop culture icon as Barbarella, become legendary for her political activism, and produced a physical fitness empire that rivals Richard Simmons. Her children have both gone into entertainment. Her daughter, Vanessa Vadim, is a producer and cinematographer. Her son, Troy Garity, is an actor.


Peter Fonda became a hippy icon thanks to “Easy Rider,” but he too has a long and enviable acting resume that spans the genres. He’s been nominated for Best Original Screenplay for “Easy Rider” and Best Actor for “Ulee’s Gold,” but he has never won. But hey, he’s an American icon thanks to “Rider,” and sometimes that’s better.


Peter Fonda’s daughter, Bridget, is an incredibly successful actress in her own right. She’s married to composer Danny Elfman, and the combination of those genes means we probably have an amazing hybrid of Elfman-Fonda power just waiting to weave cinematic magic in generations to come.


6. The Carradines


For being such a prolific dynastic family, the Carradines don’t get nearly as much press as other multi-generational clans. But there’s a ton of them, and so many that if they ever marry into the Coppolas, the Hollywood gene pool will get awfully small.


They begin with John Carradine, who enjoyed a long career as a character actor. Much of his work was in horror and Western – he replaced Bela Lugosi in “Dracula” sequels – but he had the occasional classic like “The Grapes of Wrath” and “The Man Who Shot Liberty Valance” to his credit. It’s certainly not a career to be sniffed at!


Carradine had five sons: Chris, David, Keith, Robert, and Bruce (adopted). They all went into film. Chris works for Walt Disney Imagineering. David became master of kung-fu and Western movies, and the titular Bill of “Kill Bill.” Keith has been in posh dramas, pulpy Westerns, gritty action, and numerous television shows. Robert has an impressive career as a character actor, but went down into pop culture iconography as Lewis Skolnick in “Revenge of the Nerds.” Bruce has generally kept his acting a family affair, working with David in his directorial efforts.


Of course, it doesn’t stop there. David Carradine is the father of actress Calista Carradine. Robert is the father of actress Ever Carradine.


But the flashiest offspring might be that of Keith, who is the father of actor Cade Carradine, and actress Martha Plimpton, who was one of the teenage movie faces of the 1980s. Unlike many of her fellow teen idols, she went on to have a successful and impressive career on Broadway, and has recently returned to pop culture prominence on television, thanks to “Law and Order: Special Victims Unit,” “The Good Wife,” and “Raising Hope.” We’re willing to bet you didn’t realize she was a Carradine, and niece to the guy Uma Thurman so gloriously dispatched.


7. The Howards


Some Hollywood dynasties sneak up on you. One of them is the Howards. They begin with Rance Howard, who has acted in over 100 film and roughly 40 tv shows. He’s not a massive name, just one of those faces you might recognize – “Hey, that guy. I saw him on “Babylon 5” once – and certainly a hardworking, successful fellow.


But he might be best known for the famous sons he produced: Ron Howard, the actor/director/producer, and actor Clint Howard.


Ron Howard has acted in as many (perhaps more) films as he’s directed. He’s won Best Director and Best Picture for “A Beautiful Mind,” and been nominated for two more. He also has an asteroid named after him, which not even a Redgrave can claim.


Howard’s daughter, Bryce Dallas Howard, is the third generation to join the business. She’s become a successful and recognizable actress, and is following in her father’s footsteps by taking up writing and directing. She may just become the second generation to snag a Best Director Oscar. You never know.

Categories: Features

Tags: No Tags

GOODFELLAS (1990)

 

Tanggal Rilis : 19 September 1990 (USA)
Jenis Film : Biography | Crime | Drama
Diperankan Oleh : Robert De Niro, Ray Liotta, Joe Pesci


Ringkasan Cerita GOODFELLAS (1990) :

Salah satu Film box office pemenang nominasi oscar yang patut untuk dikoleksi, menceritakan Henry seorang pemuda yang mengalami masa keras pada tahun 60-an. Lingkungan yang menuntun jalan hidupnya menuju dunia kriminalitas. Apalagi Henry berteman dengan Tommy Devito, penjahat kawakan. Bersama Jimmy Conway, sepak terjang mereka sebagai perampok di kota itu sudah melegenda. Keluar masuk penjara sudah biasa. Henry berhubungan dengan mafia lokal Paulie Cicero dan menikmati hidup mewah dari uang kotor. Hingga satu keadaan rumit membuat ketiga sahabat itu berusaha sekuat tenaga untuk menyelamatkan satu sama lain untuk tetap hidup.

Jumat, 08 Februari 2013

Review: ‘Identity Thief’ Debases Real Talent

There’s no reason a comedy about a common criminal who steals another person’s identity can’t be any good. Most of us have a million passwords floating around online, mini digital gateways that lead deep into our financial and personal lives. Who doesn’t worry that some conniving hacker guy might sneak in and try to fool the world into thinking he or she is us? When it’s not terrifying, paranoia can be hilarious.

But “Identity Thief” doesn’t trade in paranoia. Instead, it’s a picture in which one character continually debases herself for laughs while the other assumes an air of benumbed consternation. Watch Melissa McCarthy, camped out in a cheap motel room, do unholy things to a hefty real-estate guy in a bolo tie! See Jason Bateman squirm in the next room, trying to block out the sounds of cheap, tawdry, surprisingly athletic sex! That’s about as funny as “Identity Thief” gets. It’s less about stealing another human being’s name (and money) than about sapping the audience’s will to live.

Whose fault is that, exactly? In “Identity Thief,” a struggling Denver finance guy named Sandy Patterson (Bateman) falls prey to a Winter Park, Fla., con artist who also – miracle of miracles! – happens to be named Sandy Patterson. Actually, she isn’t. Her real name is Diana – or is it? – and she’s played by McCarthy, who seems to be out to steamroll everyone in her path, including her co-star.

“Identity Thief” is less a cohesive, structured comedy than it is a collection of supposedly uproarious events stacked on top of each other. The picture begins as a sort of revenge fantasy, in which the victimized party sets out to reclaim what’s rightfully his. Once he finally tracks his nemesis down, the two take to the road: Sandy wants to haul Diana back to Denver, get her thrown in jail, and begin to put his life back together.

The road is predictably bumpy. Director Seth Gordon (“Horrible Bosses”) and writer Craig Mazin (working from a story by Mazin and Jerry Eeten) orchestrate all sorts of messes for Sandy and Diana to get themselves into and out of. At one point during their travels, Diana plays on a waitress’ sympathy in order to score a free meal. “He can’t lie with me – like a husband – because of his accident,” she says winsomely, gesturing toward the apoplectic Sandy on the other side of the table. Diana doesn’t just want the free meal – she wants Sandy to pay for it with his ego. (Forget that she’s already filled her house with blenders, microwaves and Dyson vacuums that were paid for with his stolen credit cards.)

Meanwhile, a redneck skiptracer (Robert Patrick) and two slick drug dealers (played by Genesis Rodriguez and rapper T.I.) are also after Diana; they ratchet up the mayhem considerably but also needlessly. Through it all, Sandy’s pregnant wife (a sorely misused Amanda Peet) waits at home for him to return.

“Identity Thief” was probably designed to showcase McCarthy, but it doesn’t cast her in the best light. She may be a genuinely gifted comedienne: Her off-color, free form outtakes at the end of “This is 40” were funnier than anything in that movie. But here, McCarthy just finds a groove and hunkers down in it, grinding away. The cheap psychology that’s clumsily glued onto her role doesn’t help: You see, Diana treats people abominably because she herself, being a rather large woman, has so often been the object of cruelty. It’s not enough for McCarthy to play one uproariously bad-ass bad gal; she must also be redeemed, while Bateman’s Sandy looks on with a dumb, benign smile.

Bateman, who has the heart of a straight man and the timing of a comic, deserves better. And McCarthy, whether you love her, hate her, or straddle the fence, shouldn’t be stuck with this kind of crap, either. Watching “Identity Thief” will steal nearly two hours of your life that you’ll never get back. It takes far more than it gives.

Grade: C-

Categories: Reviews

Tags: Amanda peet, Comedy, Identity Thief, Jason bateman, Melissa mccarthy, T.I.

Review: ‘Side Effects’ Is a Magic Trick

Steven Soderbergh is one of cinema’s all time great magicians. He isn’t just one of our most versatile directors, he’s a bonafide polymath, frequently working as his own editor and DP under none-too-secret pseudonyms. And you should see his latest trick, “Side Effects.” He’s taken what, on paper, boils down to an extra ridiculous episode of “Law and Order: Criminal Intent” and passes it off as high cinematic art. It is a bugfu*k crazy yarn, more like what you’d expect out of Brian De Palma, but with that ineffable hum – the Soderbergh snap – the cool camera, exquisite framing, shallow focus and scenes that don’t last a frame longer than they have to.

“Side Effects” is a movie that changes a lot and moves quickly. Each of its turns are terrific. Teaming once more with Scott Z. Burns, writer of “The Informant!” and, more germane to this film, “Contagion,” “Side Effects” is a film that won’t sit still. It’s more than “just when you think you know what’s happening, THIS happens.” This is a rare case of the very genre of the film we’re dealing with transforming without warning.

We begin as a sophisticated drama. Rooney Mara is trying to create a welcoming return for Channing Tatum. He is a white collar criminal, ending a prison sentence. She was a wife in Connecticut, now forced to live in New York City and work at a graphic design studio. (It’s telling when the typical bourgeois fantasy is considered slumming it.) Mara’s history of depression suddenly flares up with a spontaneous suicide attempt and now she’s under the care of honest, earnest psychiatrist Jude Law.

He’s honest, but he’s not a saint. When the free lunches come from drug companies, he takes them, as well as a well-compensated opportunity to introduce patients to new anti-depressants. He’s above board, though. He makes all the required disclosures, but is this really doing enough, especially when the safety of his patients’ minds are at stake?

The drug in question isn’t what Mara’s on, though. She ends up on a different, fairly new pill, a medication recommended to Law by Catherine Zeta-Jones, Mara’s old doctor from Connecticut. This is what sets Mara off into dark places and “Side Effects” into the loopiest psychological thriller since “Spellbound.”

I don’t bring up Hitchcock lightly. By the end of “Side Effects” one must embrace it as a big, melodramatic spectacle or not at all. What’s such a slick move, however, is how we get there. I must be more careful about spoilers than usual here, but there are steps along the way where “Side Effects” tried on multiple outfits for size.

The upscale, economics-saturated drama (quite reminiscent in tone to “The Girlfriend Experience”) segues into suspense, then a legal yarn, then an “issue” picture and then, for a brief glistening moment, a tale about a man ruined by uncertainty, slowly going mad with paranoia.

Jude Law, who slowly reveals himself to be the film’s protagonist, is the victim of horrible circumstance and just can’t accept his fate and move on. He begins the film eloquent and charming in a stylish office, then becomes a raving, unshaven nut shoving laptops in front of his wife’s face and screaming about 9/11.

But is that where we leave him? No! You’ve no idea how this is going to wind up. Or, you do, if you’ve ever seen a simple mystery thriller before – it’s just that you didn’t know this was a mystery thriller, not with the artful way you see the back of a witnesses’ head in crisp focus while the jury is a group of smeared, blurry faces. Soderbergh’s near-pointillist camera is in philosophic harmony with Burns’ script which parachutes in and out of scenes to reveal their essence. It’s makes for invigorating viewing on its own, but reveals itself as essential in the final scenes.

You may come away from “Side Effects” calling it a potboiler, but there are fascinating themes throughout. In addition to the “Contagion”-like “this could really happen” fear-mongering about psychological pharmaceuticals, sure to be the basis of most press-tour talking points, there are delicious details about the oblique nature of truth. On a more surface level there’s how psychiatric science will always have a great deal of mystery (no one REALLY knows why electro-shock therapy does what it does), but the film gets heavy, man, and anyone who thinks the revelations of the script’s ending are a cop-out should be referred directly back to the script. You can’t ever REALLY know what others are thinking, even when you think you are seeing their true selves.

Grade: A-

Categories: Reviews

Tags: Side Effects

Rabu, 06 Februari 2013

WRECK-IT RALPH (2012)

 

Tanggal Rilis : 2 November 2012 (USA)
Jenis Film : Animation | Comedy | Family
Diperankan Oleh : John C. Reilly, Jack McBrayer and Jane Lynch


Ringkasan Cerita WRECK-IT RALPH (2012) :

Wreck-It Ralph (voice of Reilly) longs to be as beloved as his game’s perfect Good Guy, Fix-It Felix (voice of McBrayer). Problem is, nobody loves a Bad Guy. But they do love heroes… so when a modern, first-person shooter game arrives featuring tough-as-nails Sergeant Calhoun (voice of Lynch), Ralph sees it as his ticket to heroism and happiness.


He sneaks into the game with a simple plan — win a medal — but soon wrecks everything, and accidentally unleashes a deadly enemy that threatens every game in the arcade. Ralph’s only hope? Vanellope von Schweetz (voice of Silverman), a young troublemaking “glitch” from a candy-coated cart racing game who might just be the one to teach Ralph what it means to be a Good Guy. But will he realize he is good enough to become a hero before it’s “Game Over” for the entire arcade?

Alt Weekly: ‘The Gatekeepers’ and More

Welcome back to Alt Weekly, a column in which we shine a spotlight on the independent films brave enough to open opposite Hollywood’s behemoth blockbusters before rolling out in wider release.

This week puts wronged women and Southern spirits up against the brain-destroying likes of “Warm Bodies” and “Bullet to the Head.”

‘THE GATEKEEPERS’

Filmmaker Cred: This is Dror Moreh’s first documentary since 2008's “Sharon.”

Star Power: No.

Festival/Awards Buzz: This insightful documentary about, and featuring, the heads of Israeli security is one of five contenders for this year’s Best Documentary Academy Award. Here’s our review.

Release Details: Opens in NY/LA this weekend and begins expanding across the country on February 22nd.

See This If … You have an interest in how the best intentions of peace-keeping and anti-terrorism forces can and do go awry.

‘GIRLS AGAINST BOYS’

Filmmaker Cred: Director Austin Chick last directed the 2008 Josh Hartnett drama “August.”

Star Power: Danielle Panabaker, Michael Stahl-David.

Festival/Awards Buzz: This girl-powered exploitation flick premiered to less-than-impressed reviews at last spring’s South by Southwest Film Festival.

Release Details: Only NY and LA this weekend.

See This If … You’re up for a rape-revenge outing and can’t wait for the film’s DVD release at the end of the month.

‘THE HAUNTING IN CONNECTICUT 2: GHOSTS OF GEORGIA’

Filmmaker Cred: This marks Tom Elkins’ directorial debut.

Star Power: Chad Michael Murray, Katee Sackhoff, Cicely Tyson.

Festival/Awards Buzz: Not a peep yet about this in-name-only sequel to 2009's “The Haunting in Connecticut.”

Release Details: Available in select cities and everywhere On Demand starting this Friday.

See This If … You’re still a sucker for this “based on a true story” hokum.

‘KOCH’

Filmmaker Cred: This is the first film from director Neil Barsky.

Star Power: Ed Koch, who passed away with eerie timing just last night.

Festival/Awards Buzz: This documentary about the former NYC mayor saw scarce festival play, premiering at last October’s Hamptons Film Festival.

Release Details: NY this Friday, LA at the start of March, and these markets in between.

See This If … You just really want a glimpse into the life and times of this particular politician.

Categories: Alt Weekly, Columns

Tags: Alt weekly, Austin chick, Chad michael murray, Danielle Panabaker, Ed koch, Girls Against Boys, Koch, The Gatekeepers, The haunting in connecticut, The haunting in connecticut 2: ghosts of georgia

Selasa, 05 Februari 2013

SPARTACUS: VENGEANCE (2010) SEASON 3 [AIRING]

 Tanggal Rilis : TV Series (2012– )
Jenis Film : Action | Adventure | Biography
Diperankan Oleh : Andy Whitfield, Lucy Lawless and Manu Bennett

Ringkasan Cerita SPARTACUS: VENGEANCE (2010) SEASON 3 [AIRING] :

The inspiration behind this series is the Thracian Gladiator Spartacus, who led a slave uprising against the Roman Republic. The Thracians had been persuaded by Claudius Glaber to serve as auxiliaries in the Roman legions in a campaign against the Getae, who had often plundered Thracian lands. However after Glaber reneges on the deal and switches his attentions from the Getae to attack Mithridates in Asia Minor, the Thracians feel betrayed and mutiny.


Captured by Glaber, Spartacus is condemned to death as a Gladiator, whilst his wife Sura is condemned to slavery. Spartacus, however, proves to be a formidable gladiator, and defeats the four gladiators tasked with executing him. He becomes a favorite of the crowd, leading Senator Albinius to commute his death sentence to a life of slavery. Spartacus is purchased by Batiatus for gladiator training, who promises to help him find Sura if he proves himself in training…

‘Wreck-It Ralph’ Smashes ‘Brave’ at the Annies

In a rare case of internecine Hollywood violence, Disney’s “Wreck-It Ralph” dominated this year’s Annie Awards, taking home the top prize at the expense of Disney/Pixar’s “Brave.”

All in all, “Wreck-It Ralph” earned five awards at the 40th annual celebration of animation, including Best Animated Feature, Best Director, Best Screenplay, Best Music and Best Voice Acting in an Animated Feature for Alan Tudyk, who provided the voice of the villainous King Candy.

There was some good news for “Brave” fans, though; thanks in part to the fact that the Annies give out awards for every category you could possibly imagine (seriously, there are 35 categories), the Pixar hit did take home two Annies, for Best Editorial and Best Production Design.

Also winning multiple awards on the evening: “ParaNorman” (Character Animation and Character Design) and “Rise of the Guardians” (Storyboarding and Animated Effects in an Animated Feature). Even live action films such as “The Avengers” and “Life of Pi” won awards for their use of CGI animation and 3D special effects.

But it was “Wreck-It Ralph” dominating the evening and the buzz, as the Disney film picked up even more momentum heading into the Oscars; earlier this year “Wreck-It Ralph” won the Golden Globe for Best Animated Feature.

For a full list of categories, nominees and winners, head to the official Annie Awards website. Just make sure you have plenty of free time.

Categories: Awards

Tags: 2013 Annies, Awards

Exclusive Clip: Behind the Scenes of ‘Day of the Falcon’

Upcoming epic “Day of the Falcon” has a little bit of everything: Antonio Banderas and Freida Pinto, honor, greed, betrayal and romance, director Jean-Jacques Annaud (Enemy at the Gates) and more.

As far as we can tell, it’s only missing a falcon.

Check out this exclusive behind-the-scenes clip of the movie, which hits premium VOD today and theaters on March 1.

Categories: No Categories

Tags: Antonio banderas, Day of the Falcon

THE INSIDER (1999)

 

Tanggal Rilis : 5 November 1999 (USA)
Jenis Film : Biography | Drama | Thriller
Diperankan Oleh : Russell Crowe, Al Pacino, Christopher Plummer


Ringkasan Cerita THE INSIDER (1999) :

Balls-out “60 Minutes” producer Lowell Bergman sniffs a story when a former research biologist for Brown & Williamson, Jeff Wigand, won’t talk to him. When the company leans hard on Wigand to honor a confidentiality agreement, he gets his back up. Trusting Bergman and despite a crumbling marriage, he goes on camera for a Mike Wallace interview and risks arrest for contempt of court. Westinghouse is negotiating to buy CBS, so CBS attorneys advise CBS News to shelve the interview and avoid a lawsuit. “60 Minutes” and CBS News bosses cave, Wigand is hung out to dry, Bergman is compromised, and the CEOs of Big Tobacco may get away with perjury. Will the truth out?

Top 5/Bottom 5 Football Movies

Hollywood loves a good sports story, but while there is a long history of baseball movies being turned into high art, football movies seem to fall into one of two categories: inspirational, heartwarming tearjerkers or mindless, idiotic locker room hijinks.


Oh, sure, there have been plenty of cool football movies over the decades, but for every good football film there’s an equally terrible football film out there as well. So with the Super Bowl looming, we thought it would only be fitting to take a look at the best and worst gridiron showdowns ever to hit the big screen in our official list of the best and worst football films of all time.


5. “The Blind Side”
This one pretty much checks off every box when it comes to inspirational stories. Quinton Aaron plays Michael Oher, a homeless boy who is taken in by a football-friendly family that gives him tough love and a second chance. Sandra Bullock won Best Actress three years ago for her role as the mom who fights for her new family. Bonus: The real Oher is playing in the Super Bowl as a starting offensive lineman for the Baltimore Ravens. Hard to top that.


4. “Friday Night Lights”
Based on the bestselling book of the same name by author H.G. Bissinger, “Friday Night Lights” tells the true story of one Texas town and its passion for high school football. The film, which stars Billy Bob Thornton as the team’s head coach, was awesome enough to inspire a spinoff TV series that became one of the most acclaimed shows of the past decade. As a result, the movie has become somewhat overshadowed, but take it from us: It’s definitely worth a second look on its own merits.


3. “Rudy”
Has any actor headlined as many classic movies as Sean Astin without becoming an A-list international superstar? As great as “Goonies” and ‘The Lord of the Rings” are, though, Astin is probably best known to most men as the titular character in this 1993 tearjerker about a walk-on student at Notre Dame who became a gridiron hero simply by refusing to give up on his dreams. If you ever wanted to see a grown man cry, just invite a grown man to watch “Rudy” with you some time. Just bring plenty of Kleenex.


2. “Remember the Titans”
Take the positive aspects of every one of the first three films on our list and add them together, and what do you end up with? 2000's “Remember the Titans,” which stars Denzel Washington as an empathetic high school coach (you know, like in “Friday Night Lights”) who helps break down the racial barriers in a small town (kind of like in “The Blind Side”) en route to becoming a feel-good, inspirational story to sports fans of all ages (see: “Rudy”). It’s pretty much got everything going for it.


1. “Brian’s Song”
Really, could there be any other pick for the top spot? Released back in 1971, “Brian’s Song” has been a touchstone for generations of football fans thanks to its moving, true story of the friendship between teammates Gale Sayers (Billy Dee Williams, in the role that made him a star) and Brian Piccolo (James Caan, just a year before “The Godfather”) during the 1969 season, which ended early for Piccolo when he was diagnosed with cancer. Less than a year later, he died at the age of 26. Accepting an award for displaying courage on the football field, Sayers famously said in his acceptance speech that the award should go to Piccolo instead. “I love Brian Piccolo, and I’d like all of you to love him, too,” Sayers said. “Tonight, when you hit your knees to pray, please ask God to love him, too.” No Hollywood screenwriter could improve on that.


5. “Leatherheads”
Proof that even really good ideas can go horribly awry, 2008's “Leatherheads” was directed by and starred George Clooney. That usually guarantees a quality product, but in this case, the resulting film — which is about Clooney’s rivalry with fellow barnstormer John Krasinski and the formation of the NFL in the 1920's — was a disappointing dud at best and a self-indulgent mess at worst.


4. “Necessary Roughness”
One good thing did come out of 1991's “Necessary Roughness”: It bombed, leading star Scott Bakula to go back to television and continue starring in the cult classic sci-fi show “Quantum Leap.” That might not have happened if he had become a star, but thanks to this cheap comedy’s complete lack of laughs, Bakula pretty much never had a chance. Neither did moviegoers looking for entertainment from the story of a school hit with NCAA sanctions and forced to cobble together a team made up entirely of, you know, normal students — a team which ends up defeating the nation’s top ranked squad. Talk about an epic fantasy.


3. “The Game Plan”
So what’s wrong with this film, which stars Dwayne “The Rock” Johnson as a football superstar who discovers he has an eight-year-old daughter? Well, consider this disturbing fact: The movie isn’t as memorable as “The Tooth Fairy” in which Dwayne “The Rock” Johnson plays a hockey superstar who becomes the Tooth Fairy. And any film that isn’t as good as “The Tooth Fairy” automatically makes any Bottom 5 list. Okay, so the contrast between football culture and parenthood is jarring. We get it. We also get the fact that there are no other jokes in this entire film. Even Johnson’s real life football credentials (he won the NCAA national title with Miami in 1991) can’t save this ill-advised dud.


2. “The Longest Yard”
Let’s be very clear here: We’re talking about the horrifyingly terrible 2005 remake of “The Longest Yard,” not the 1974 classic, which featured real-life college football star Burt Reynolds playing something that approximated real football. The remake, on the other hand, starred Adam Sandler, who pretty much wears “horrifyingly terrible” as a badge of honor these days. The plot, which revolves around a bunch of jailbirds putting together a team to play against the prison guards, may have been the same. But the utter stank? That was all new.


1. “Wildcats”
Oy, where do we even begin with this 1986 stinkbomb that stars Goldie Hawn as the coach of an inner city football team? Oh, yeah: With the part about the movie starring Goldie Hawn as the coach of an inner city football team. It’s kind of like “Dangerous Minds,” only instead of Coolio, it features horrible jokes that are offensive not just for being sexist, but even worse, for being unfunny. There have been a lot of bad football films over the years, but there’s no doubt about it: “Wildcats” wins the Super Bowl of Bad. Take a bow, Goldie.

Categories: Lists

Tags: 2013 super bowl, Adam sandler, Billy Bob Thorton, Billy Dee Williams, Brian's Song, Denzel washington, Dwayne johnson, Features, Friday night lights, George clooney, Goldie Hawn, James caan, John krasinski, Leatherheads, Necessary roughness, Quinton Aaron, Remember the titans, Rudy, Sandra bullock, Scott bakula, Sean Astin, Super bowl, The blind side, The Game Plan, The Longest Yard, Top 5 Bottom 5, Top 5/Bottom 5, Wildcats

THE MASTER (2012)

 

Tanggal Rilis : 21 September 2012 (USA)
Jenis Film : Drama
Diperankan Oleh : Philip Seymour Hoffman, Joaquin Phoenix, Amy Adams


Ringkasan Cerita THE MASTER (2012) :

Paul Thomas Anderson’s The Master stars Joaquin Phoenix as a psychologically damaged war veteran who finds himself working for Lancaster Dodd (Philip Seymour Hoffman), a charismatic figure building his own religion. As the alcoholic, self-destructive former soldier becomes more deeply involved with the leader of this cult-like organization, his natural instincts keep him from embracing his new position as strongly as others in the group would hope.

Senin, 04 Februari 2013

THE ABCS OF DEATH (2012)

 Tanggal Rilis : 28 February 2013 (Russia)
Jenis Film : Horror
Diperankan Oleh : Ingrid Bolsø Berdal, Iván González, Kyra Zagorsky

Ringkasan Cerita THE ABCS OF DEATH (2012) :

The ABC’s OF DEATH is an ambitious anthology film featuring segments directed by over two dozen of the world’s leading talents in contemporary genre film. Inspired by children’s educational ABC books, the motion picture is comprised of 26 individual chapters, each helmed by a different director assigned a letter of the alphabet. The directors were then given free reign in choosing a word to create a story involving death. Provocative, shocking, funny and ultimately confrontational; THE ABC’s OF DEATH is the definitive snapshot of the diversity of modern horror. Drafthouse Films, Magnet Pictures and Timpson Films are proud to present this alphabetical arsenal of destruction orchestrated by what Fangoria calls “a stunning roll call of some of the most exciting names in horror across the world.”

THE HAUNTING IN CONNECTICUT 2: GHOSTS OF GEORGIA (2013)

 

Tanggal Rilis : 1 February 2013 (USA)
Jenis Film : Drama | Horror | Thriller
Diperankan Oleh : Abigail Spencer, Chad Michael Murray, Katee Sackhoff


Ringkasan Cerita THE HAUNTING IN CONNECTICUT 2: GHOSTS OF GEORGIA (2013) :

Building on the terror of The Haunting in Connecticut, this tale traces a young family’s nightmarish descent into a centuries-old Southern hell. When Andy Wyrick moves his wife Lisa and daughter Heidi to a historic home in Georgia, they quickly discover they are not the house’s only inhabitants. Joined by Lisa’s free-spirited sister, Joyce, the family soon comes face-to-face with a mystery born of a deranged desire … a haunting secret rising from underground and threatening to bring down anyone in its path.

Ben Affleck Wins Directors Guild of America Award for ‘Argo’

Well, this is awkward.

As reported by Deadline, Ben Affleck won the top prize at the Directors Guild of America Awards last night, taking home the award for Outstanding Directorial Achievement in Feature Film for his hit film “Argo.” The win, which further cements “Argo’s” chances at the Oscars, comes despite the fact that Affleck wasn’t even nominated for Best Director at the Academy Awards.

And Affleck thinks that may actually be helping the film.

“I have nothing but respect for the Film Academy,” Affleck said. “I’m also very grateful to the DGA. I mean, you’re not entitled to anything in life. I’m thrilled and honored that the Academy nominated me as a producer for the movie. Maybe taking me out of [the director race] helps give us purpose, because it’s just about that movie as a picture.”

Since the DGA Awards were first presented by in 1948, there have been only six occasions where the winner of the Outstanding Directorial Achievement in Feature Film award failed to earn the Oscar as well. Until this year, that is.

“The four folks here who are nominated I consider my betters,” Affleck said, praising fellow nominees Steven Spielberg, Kathryn Bigelow, Ang Lee and Tom Hooper. “There’s no other way of saying it. I work really hard at this… You know, I got to a point in my life where I was really down, really confused, really felt beset on all sides by life, didn’t know what was gonna happen. And I thought, I should be a director.” He added, “I don’t think this makes me a real director. But I think it means I’m on my way.”

“Argo” previously won the top prize at the Golden Globes, the Producers Guild of America Awards and the Screen Actors Guild Awards.

The only other film award given out on the evening went to Malik Bendjelloul, who won Outstanding Directorial Achievement in Documentary for “Search for Sugar Man.” And “One Flew Over the Cuckoo’s Nest” director Milos Foreman was presented with a lifetime achievement award.

A full list of winners, including those in the television categories, can be found on the official DGA website.

Categories: Awards

Tags: Awards, DGA

Review: ‘The Haunting in Connecticut 2: Ghosts of Georgia’ is Frightfully Familiar

To answer your first question: no, “The Haunting in Connecticut 2: Ghosts of Georgia” doesn’t contain even the most tenuous affiliation with that rote 2009 spooker. However, if Lionsgate hadn’t slapped that title upon this rote spooker, you’d be far less likely to pick it up off a Best Buy shelf, or give it a click at a Redbox machine, or even choose to read this very review. So be it.

“Based on the true story,” of course, “Ghosts of Georgia” takes place in the summer of 1993, as the Wyrick clan moves from Atlanta to the more rural and affordable Pine Mountain. Andy (Chad Michael Murray) works at the local corrections facility, leaving Lisa (Abigail Spencer) to care for their young daughter, Heidi (Emily Alyn Lind), with the help of her sister, Joyce (Katee Sackhoff). The thing is, the Wyrick women have a habit of seeing spirits — a knack which Lisa is struggling to suppress with prescription meds — and this family has moved smack dab in the middle of the undead Underground Railroad.

Literalizing the ghosts of America’s past is just about the only novel idea that writer David Coggeshall and director Tom Elkins have cooked up here, and even then, they aren’t sure how to exploit the concept without regrettably equating the spirits of slaves to your average boogeymen for a large part of the film. Despite some occasionally handsome widescreen framing, much of this is well-worn hokum, full of cracked picture frames, invasive insects, dreams within dreams, jump cuts, flickering lights (a phenomenon to which even the moon itself is susceptible) and the reliable false bottom of the second act, wherein our protagonists think they’ve solved the problem, only to make things much worse for themselves.

To the film’s credit, it doesn’t waste much time in doling out shadowy figures and fake-outs for the gullible and easily goosed, and the cast as a whole dutifully delivers its panicked looks and cries in the night. A cloudy-eyed Cicely Tyson makes a cameo appearance that dances on the verge of “Magical Negro” territory, but who can blame a screen legend for paying the bills.

“Ghosts of Georgia” ends with a line-up of the real Wyrick family, a ploy which brings to mind an incredibly evasive Q&A that followed the premiere of “The Haunting in Connecticut” at South by Southwest. The woman played on-screen by Virginia Madsen wouldn’t address whether or not the walls of her home were in fact filled by bodies, instead assuring those in attendance that “some very strange things happened in that house.” Given the similar basis in truth, I wonder which one of the Wyricks surely found themselves strung up by the mouth, “Hellraiser”-style, within a nearby camper, and how much more terrifying that experience must have been for them than this movie is for us.

“The Haunting in Connecticut 2: Ghosts of Georgia” is currently available On Demand in addition to playing in select cities

Grade: C-

Categories: Reviews

Tags: Abigail spencer, Chad michael murray, Cicely tyson, Katee sackhoff, Movie review, The haunting in connecticut, The haunting in connecticut 2: ghosts of georgia, Tom elkins

February at the Movies

January is over, which means there are finally some decent movies to see! February is all about Valentine’s Day, which means romance and action movies galore. Plus, with the Oscars right around the corner, there’s a chance to see one of the nominated movies in the foreign category, and one of the nominated docs. A little something for everyone and early good buzz on a few of these flicks means this month should prove to be at least 95% less horrible than January’s offerings.


ALL of the Action


“Bullet to the Head” (Feb. 1)
What’s happening?! In January, we got a Schwarzenegger action flick from acclaimed Korean director Jee-woon Kim, and now we get a Stallone movie directed by legend Walter Hill? In this high-octane revenge picture, Stallone stars as a heavily tattooed hitman who partners with a cop to avenge the deaths of their partners. The tagline is “Revenge never gets old,” which is a horrible notion to encourage, but man does it make for an exciting premise! The trailer is ridiculous in the best and most crowd-pleasing way, and it strikes a nice balance between exhilarating action and a tongue-in-cheek lightness. The RT score of 56% seems right on the money.


“Top Gun IMAX 3-D” (Feb. 8)
The classic Tom Cruise joint returns to theaters in 3-D IMAX. Because that is what the world was clamoring for.


“A Good Day To Die Hard” (Feb. 14)
The fifth in the “Die Hard” franchise hits theaters on Valentine’s Day, so we know where all the cool couples will be that day. Well, okay, the cool couples probably won’t be at the movies at all, fine, but “A Good Day To Die Hard” is definitely the most exciting of the V-day crop. Here, John McClane (Bruce Willis, but you knew that) teams up with his son to stop a weapons heist in Moscow and even if this movie is the worst, it’s gonna be the BEST. The trailer is already the strongest of 2013, giving absolutely nothing away except that the action is totally going to melt your face.


“Snitch” (Feb. 22)
Dwayne Johnson stars as a regular ol’ suburban dad who goes undercover to infiltrate a drug cartel in order to prove his son’s innocence in this completely implausible, but maybe just maybe stupidly fun action flick, though the trailer seems a little too serious to let us get our hopes up. It also starts Susan Sarandon, everyone’s favorite “Wire” alum Michael K. Williams, Barry Pepper, Jon Bernthal and Benjamin Bratt as the Big Bad.


Let’s Get Romantical


“Warm Bodies” (Feb. 1)
The first ever zombie romance on the big screen! It’s never happened before because it goes against everything that zombies are! In this adaptation of the YA novel by Isaac Marion, a zombie meets a girl and as he starts to fall for her, he finds himself increasingly reverting back into a live human. The star-crossed comedy is already receiving glowing reviews and stars Nicholas Hoult as the zombie whose a little different from the rest of them and Teresa Palmer as the girl he falls for. Can’t. Wait. Opening. Weekend. Seeing it. Want. Now.


“Beautiful Creatures” (Feb. 14)
Another supernatural romance based on a book, “Beautiful Creatures” is about a girl who, on her sixteenth birthday, will either be claimed for the light side or the dark side of witchcraft, an event that may destroy her burgeoning romance with a local boy. There are three more books in the series, so if the movie takes off as expected, it could become the new “Twilight.” It’s hard to say if virtual unknown Alden Ehrenreich and Alice Englert (“Ginger & Rosa,” daughter of Jane Campion) will drum up the same chemistry as Bella and Edward. Still, the Deep South setting allows for great costumes and silly accents, which already makes it better than every movie in the “Twilight” film series combined.


“Safe Haven” (Feb. 14)
What would Valentines Day be without Nicholas Sparks? This latest adaptation reunites Sparks with director Lasse Hallstrom (“Dear John”), and stars dynamic duo Julianne Hough and Josh Duhamel. But “Safe Haven” isn’t just any old Sparks story! Hough plays a woman who moves to a small town and starts to fall for a widower, but she has a dark secret! The trailer gives no indication of any darkness whatsoever, so seeing the exit reactions from folks expecting a run-of-the-mill romance should be great fun.


Thrills & Chills


“Side Effects” (Feb. 8)
Steven Soderbergh is apparently in a state of constant movie-making or has at least 2 clones, because here he is with his eighth movie in five years, and his third with Channing Tatum. This thriller follows a couple played by Tatum and Rooney Mara whose relationship starts to unravel when the wife’s psychiatrist (Jude Law) gives her a prescription that has some strange side effects. The trailer is intriguing without giving anything away and the reviews are strong, creating one of the year’s first must-sees.


“Dark Skies” (Feb. 22)
Keri Russell + aliens = duh. What, does this logic not suit you?! Fine, we’ll elaborate. In this indie horror thriller, from Scott Stewart, who for better or worse brought you “Legion” and “Priest,” a family is haunted by aliens who prey on their children every night. The neighbors don’t believe them, some sort of possession starts to happen and things get weird. It’s from Blumhouse, the company behind “Paranormal Activity” and “Insidious,” and the trailer is appropriately creepy, so there is some promise here.


Ones of a Kind


“Identity Thief” (Feb. 8)
Melissa McCarthy steals Jason Bateman’s identity, and he travels from Denver to Miami to find and stop her in this comedy from Seth Gordon, director of “Horrible Bosses” and “The King of Kong.” We all know by now that both Bateman and McCarthy can bring it, so even though the trailer is a bit lackluster, we still have some faith. As it’s the only straight-up comedy being released in all of February, it should draw quite the crowd.


“Escape from Planet Earth” (Feb. 14)
The only animated release of February 2013, this movie is about a group of imprisoned aliens escaping Area 51 to stop the military from destroying their planets. Some of the jokes are cute enough (it was the aliens in Area 51 who created things like the Internet and the iPhone, not humans!), but the movie doesn’t seem like much to write home about. Still, it may end up doing rather well as it is the only family fare in the month of February.


Maybe Not Coming To a Theater Near You


“No” (Feb. 15)
After a strong showing at Cannes, Toronto and Telluride, this film about the 1988 campaign to defeat Pinochet in Chile, starring Gael Garcia Bernal, finally opens in limited release. It’s nominated for Best Foreign Language film at this year;s Academy Awards, so if you’re into being informed as much as you can before the ceremony, make sure to catch it!


“Like Someone in Love” (Feb. 15)
Abbas Kiarostami’s quiet, rich and elegant story is about an unlikely friendship struck up between a young call girl and a lonely elderly man, with a final scene that will stay with you long after the credits roll. A major day for film fans, who will be flocking to their local indie houses in droves.


“The Gatekeepers” (Feb. 20)
This Academy Award-nominated documentary offers a rare look inside Israel’s secret service, the Shin Bet. Fascinating, well-crafted and controversial, do yourself a favor and do not miss the movie that very well may walk away with the golden statue come Oscar night.


“Future Weather” (Feb. 22)
This film about a spirited young girl abandoned by her mother garnered glowing reviews and snagged awards on the indie film festival circuit. Young actress Perla Haney-Jardine has been showered with praise, even drawing comparisons to Jennifer Lawrence in “Winter’s Bone.” Support true independent cinema and seek this film out if it’s playing in your area. If it’s not, VOD comes to the rescue in March.


“Saving Lincoln” (Feb. 15)
This is just too weird not to mention: a movie about Lincoln & his bodyguard, set entirely against actual Civil War-era photographs. The trailer is incredibly bizarre, and for some reason even great actors like Bruce Davison seem strange and wooden in their performances. Please watch the trailer. You have to watch the trailer. What is happening?

Categories: Features

Tags: A Good Day to Die Hard, Abbas kiarostami, Alden Ehrenreich, Alice englert, Beautiful Creatures, Bruce willis, Bullet to the Head, Channing tatum, Dark Skies, Dwayne johnson, Emily Rossum, Escape from Planet Earth, Future Weather, Gael garcia bernal, Identity Thief, Jason bateman, Josh duhamel, Jude law, Julianne hough, Keri russell, Like Someone in Love, Melissa mccarthy, Nicholas hoult, No, Preview, Rooney mara, Safe Haven, Saving Lincoln, Side Effects, Snitch, Steven soderbergh, Sylvester stallone, Teresa palmer, The Gatekeepers, Top gun, Warm Bodies

Christian Slater: What Went Wrong with That Guy?

When the new Sylvester Stallone action vehicle “Bullet to the Head” comes out this weekend, chances are you’ll be seeing a bunch of stories in the media about Sylvester Stallone’s recent career resurgence. “The Expendables,” “Rocky Balboa,” “Rambo” — after almost two decades of Hollywood irrelevancy, Stallone is once again back in business as an A-list star.


But you know what you won’t be seeing much of? Stories like that about his co-star, Christian Slater.


So, just what went wrong with that guy?


For those under the age of 30, it might be hard to believe, but once upon a time, Slater wasn’t just hot, he was actually expected by many to become an international superstar. What Brad Pitt and George Clooney are today? That’s what everyone thought Slater was going to become.


Sure, it may sound crazy now, but there was actually good reason to believe it at the time. Not only did he have movie star looks, but he had an edge to him that (along with his distinctive voice) led many to picture him as the second coming of Jack Nicholson. Between his darkly cynical turn in the jet black 1988 cult comedy “Heathers” and his roles in 1990's “Young Guns II” and “Pump Up the Volume,” by the age of 21 Slater had already turned himself into a counter culture icon.


And that’s actually when things started to go wrong for Slater. First, he began going mainstream, appearing in big budget flicks like “Robin Hood: Prince of Thieves” and “Star Trek VI: The Undiscovered Country.” He kept some indie cred by appearing in the Quentin Tarantino-penned ‘True Romance” in 1993, but by the time of 1995's “Interview with a Vampire” and 1996's “Broken Arrow,” it had become apparent that Slater was trying to go big time.


In hindsight, that was a bad idea, of course. On the one hand, Slater alienated the fans who had made him popular in the first place. And on the other, his edgy, snarky persona may have been perfect for the underground scene, but it clashed with mainstream America, meaning he never really caught on with the new audience he was courting either.


Which led to the second nail in his career coffin: a bruised ego. When you gain success as fast as Slater did, you tend to let it go to your head — and the same is true when you lose that success. The result was a string of run-ins with the law, including drunk driving and assault in 1989, trying to smuggle a gun onto an airplane in 1994 and assaulting both his girlfriend and a police office while wasted on drugs in 1997.


That episode proved to be the last straw, in many ways, for Hollywood; with his box office power already on the wane, he was just too big a headache to deal with.


Slater has been in plenty of movies and TV shows since, but he’s never come close to living up to his early promise. So will “Bullet in the Head” help spark a career renaissance for a man who, at 43, is finally showing signs of maturity? Who knows, stranger things have happened.


Just ask that old wash-up himself, Sylvester Stallone.

Categories: Features

Tags: Broken Arrow, Bullet to the Head, Christian slater, Heathers, Interview With The Vampire, Pump Up the Volume, Robin Hood: Prince of Thieves, Star Trek VI: The Undiscovered Country, True Romance, Young Guns II

Weekly Trailer Report: ‘Upside Down’ & ‘Mood Indigo’

This week takes a long look at independent films and horror with scares and laughs galore.

We’ve got a new look at the latest Michel Gondry film, “Mood Indigo.” Otherworldly romance takes on new dimensions in the Kirsten Dunst and Jim Sturgess sci-fi romance “Upside Down,” Rob Lowe makes a stab at behind-the-scenes politics with “Knife Fight” and Nick Offerman is perfectly deadpan hilarious in his role as a confidant in “Somebody Up There Likes Me.”

There’s something here for everyone. Let us know what piques your interest in the comments below.

‘Mood Indigo’

The latest strange film from Michel Gondry continues his foray into the surreal and brings together two lovebirds.
Starring: Audrey Tautou, Omar Sy, Romain Duris
Release Date: 2013

‘Upside Down’

Two young people fall in love, despite living on similar planets with different gravities. Will they ever truly connect?
Starring: Kirsten Dunst, Jim Sturgess, Timothy Spall
Release Date: March 15, 2013

‘Would You Rather’

A young woman agrees to take part in a horrific game in order to save her sickly brother.
Starring: Brittany Snow, Jeffrey Combs, Jonny Coyne
Release Date: Feb. 8, 2013

‘Knife Fight’

A political fixer juggles his various clients while considering what it means to protect the guilty.
Starring: Rob Lowe, Jamie Chung, Julie Bowen
Release Date: Jan. 25, 2013

‘Unforgotten Shadows’

This horror film takes us deep into Ukraine and a menace that lurks there.
Starring: Olga Sumskaya, Valeriy Legin, Yuriy Rasstalnoi
Release Date: 2013

‘Somebody Up There Likes Me’

A comedic look at life, love, marriage and friendship that spans the decades.
Starring: Nick Offerman, Keith Poulson, Jess Weixler
Release Date: 2013

‘The Condemned’

This Spanish language film circles around a young woman who returns to her father’s home village, and the mysterious home he left there.
Starring: Miosoti Alvarado, Marisé Alvarez, Axel Anderson
Release Date: 2013

‘Hava Nagila: The Movie’

A documentary look at the history behind the song “Hava Nagila.”
Starring: Harry Belafonte, Glen Campbell, Connie Francis
Release Date: March 15, 2013

‘Bless Me, Ultima’

A man and medicine woman bond during World War II, and work together to defeat evil in their small town.
Starring: Luke Ganalon, Miriam Colon, Benito Martinez
Release Date: Feb. 22, 2013

‘Specter’

Real disasters inform this supernatural thriller.
Starring: Jordan Graham, Michael Frye, Michael Daniel
Release Date: 2013

‘The Teller and the Truth’

A documentary look at a mysterious disappearance that has affected a small town since the 1974 disappearance.
Starring: Mona Lee Fultz, Leilani Galvan, Russell Gustave Ochoa
Release Date: Jan. 18, 2014

‘Into the White’

In this stirring drama, two groups of pilots, German and English, shoot each other down and crash land in a foreign land. The groups must learn to work together to survive.
Starring: Florian Lukas, David Kross, Stig Henrik Hoff
Release Date: 2013

‘The Kitchen’

A group of friends gather to celebrate one girl’s birthday in this hilarious comedy, as old loves and new enemies make their plays for attention.
Starring: Laura Prepon, Bryan Greenberg, Dreama Walker
Release Date: 2013

‘Knights of Badassdom’

When some friends conjure up a demon through their live action role playing, they must soon deal with the outrageous consequences.
Starring: Peter Dinklage, Summer Glau, Margarita Levieva
Release Date: 2013

‘Dead Drop’

An ex-CIA agent is double crossed and will stop at nothing to learn the truth.
Starring: Luke Goss, Cole Hauser, Nestor Carbonell
Release Date: 2013

Categories: Columns, Trailer Roundup

Tags: Audrey Tautou, Axel Anderson, Benito Martinez, Bless Me Ultima, Brittany snow, Bryan Greenberg, Cole Hauser, Dead Drop, Dreama Walker, Hava Nagila, Into the White, Jamie Chung, Jeffrey Combs, Jess Weixler, Jim sturgess, Jonny coyne, Jordan Graham, Julie Bowen, Keith Poulson, Kirsten Dunst, Knife Fight, Knights of Badassdom, Laura prepon, Luke Ganalon, Luke Goss, Marisé Alvarez, Michael Daniel, Michael Frye, Miosoti Alvarado, Miriam Colon, Mood Indigo, Nestor Carbonell, Nick Offerman, Olga Sumskaya, Omar Sy, Rob Lowe, Romain duris, Somebody Up There Likes Me, Specter, The Condemned, The Kitchen, Timothy spall, Unforgotten Shadows, Upside Down, Valeriy Legin, Would You Rather, Yuriy Rasstalnoi

Minggu, 03 Februari 2013

‘Warm Bodies’ Heats Up the Box Office

As far as zombie apocalyses go, “Warm Bodies” has proven to be a surprisingly pleasant one, as the new undead romcom easily beat out the competition this week to take the top spot at the box office, earning an estimated $20 million over its opening weekend.

That’s the good news. The bad news? Everything else, as the rest of the box office was pretty much in the tank, due in no small part to the failure of the weekend’s other major new release, Sylvester Stallone’s “Bullet to the Head.” That effort proved to be a non-starter, racking up a dismal $4.5 million and further delaying the inevitable career resurgence of Christian Slater.

Of course, every dark cloud has a silver lining, and in this case its the performance of “Silver Linings Playbook,” which stayed strong with $8.1 million for third place. The award season favorite was joined by fellow critical darlings “Zero Dark Thirty,” “Django Unchained,” “Les Miserables” and “Lincoln” in the top ten, each of which has taken advantage of January’s exceptionally poor lineup of new films in putting together long and impressive box office runs.

That could finally change next weekend, as the Melissa McCarthy/Jason Bateman buddy comedy “Identity Thief” and Steven Soderbergh’s thriller “Side Effects” are both set to debut. But for now, the box office looks pretty dead.

And that means it’s feeding time for zombies.

Here’s a look at the full box office top ten, courtesy of Hollywood.com:

1. “Warm Bodies” – $20m (our review)
2. “Hansel and Gretel: Witch Hunters” – $9.2m
3. “Silver Linings Playbook” – $8.1m (our review)
4. “Mama” – $6.7m (our review)
5. “Zero Dark Thirty” – $5.3m (our review)
6. “Bullet to the Head” – $4.5m (our review)
7. “Parker” – $3.2m (our review)
8. “Django Unchained” – $3m (our review)
9. “Les Misérables” – $2.4m (our review)
10. “Lincoln” – $2.4m (our review)

Categories: News

Tags: Box office

Minggu, 20 Januari 2013

Movies Streaming/On Demand This Week: ‘Taken 2,’ ‘Paranormal Activity 4′ & More

As we continue to trudge through the cold month of January and its lackluster crop of new releases, we suggest you curl up with a few of these titles. Liam Neeson return as the father who can kick anyone’s ass in “Taken 2.” For those found footage fans, the fourth installment of the “Paranormal Activity” franchise is now streaming. And we’ve got a few great titles you can see for free.


NEW RELEASES


‘Taken 2'
Following up the unlikely success of the original, Liam Neeson returns for a new ass-kicking foreign excursion. This time around, Bryan Mills (Neeson) and his wife (Famke Janssen) are kidnapped by the father of the kidnapper Mills killed to rescue his daughter in the first film. Let’s just say the odds are always in Mills’s favor.
Why Watch It: Neeson just has a knack for playing the ruthless type, even when he’s the one who’s the hostage.
Available On: iTunes, Cable On Demand, VUDU, Amazon Instant, YouTube, Google Play


‘Paranormal Activity 4'
After going to the VHS-era of the ’80s in “PA3,” we’re now back in the present for the fourth edition of this found-footage franchise. Five years after the events of “PA2,” things get a little strange for a teenage girl and her family when a woman and child move in next door.
Why Watch It: Just when you think you’ve seen everything in this franchise, they go and show they still have a few more tricks.
Available On: iTunes, VUDU [On Demand: 1/29]


‘The Possession’
If found footage isn’t your thing, this more traditional thriller is about a little girl who starts acting really strange after her newly divorced father (Jeffrey Dean Morgan) buys her an old wooden box at a yard sale.
Why Watch It: Crazy CGI makes easier to tolerate the watered-down plot.
Available On: Cable On Demand


‘The House I Live In’
Documentary filmmaker Eugene Jarecki (“Why We Fight,” “The Trials of Henry Kissinger”) looks at the U.S. drug war from all possible angles and comes to the conclusion that it’s hardly about drugs.
Why Watch It: This Grand Jury prizewinner at last year’s Sundance is a disturbing look at how our country handles illegal drugs.
Available On: iTunes, Cable On Demand, VUDU


‘Detropia’
From the directors of “Jesus Camp,” this stirring documentary examines the downsizing of Detroit and how its closed schools, abandoned buildings and struggling economy epitomizes what’s going on throughout the country.
Why Watch It: It opens your eyes to the harsh reality of what our country is dealing with in some of its poorest areas.
Available On: iTunes, Cable On Demand


‘Won’t Back Down’
Viola Davis and Maggie Gyllenhaal play two mothers who are determined to transform their children’s failing inner-city school. But the bureaucracy of the school system could put at risk everything they’re trying to do.
Why Watch It: It’s an inspiring movie with great performances from Davis and Gyllenhaal.
Available On: Cable On Demand, VUDU, Amazon Instant, YouTube, Google Play


OLDIES BUT GOODIES


‘The Blob’
There’s nothing better than super cool Steve McQueen running away from a slow-moving blog of jelly. A drive-in classic from the ’50s, this cheesy horror starts with a meteor falling from the sky that oozes a large, growing goo. If you need a good laugh, this is the one for you.
Available On: Hulu (free)


’1941'
Riding high after the success of “Jaws” and “Close Encounters of the Third Kind,” Steven Spielberg was untouchable when he put together this comedy. And that was probably the problem. It was a critical disaster when it opened in 1979, and watching it now is fun because of all the great cameos like Slim Pickens, Christopher Lee and Mickey Rourke. And at home in all the chaos is John Belushi.
Available On: YouTube (free)


The ‘Paradise Lost’ Trilogy
These three landmark documentaries by Joe Berlinger and Bruce Sinofsky about the wrongful conviction of three teens (better known as the West Memphis Three) for the grisly murders of three boys in Arkansas in the mid ’90s. For years, activists and celebrities came to the aid of the WM3, until finally they were released on an Alford plea two years ago. In all three films, we learn new evidence while watching the three boys grow up behind bars.
Available On: iTunes

Categories: Columns, Streaming/On Demand

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